A Quote by Bebe Rexha

I never thought of myself as a songwriter. I was just an artist writing songs, and they just happened to get placed. — © Bebe Rexha
I never thought of myself as a songwriter. I was just an artist writing songs, and they just happened to get placed.
I didn't start writing songs, honestly, until I started making my album. I was always doing poetry, but I never thought I could write songs. I discouraged myself and thought it was so hard. But starting this process and learning just what it is to be a songwriter and performer taught me that you don't have to feel discouraged about anything.
As a solo artist, it's so easy to be lumped into a singer / songwriter genre and writing sleepy, sad songs that are very emotionally rich that mean a lot to you, and people just get kind of tired.
I wish it was clear for me how it happened [stop writing songs], then maybe I could start writing again. But it's kind of an "it." It just submerged itself. Because the way I had always written was just that it came out. It just happened.
I'm a songwriter, actually. And when I say I'm a songwriter, I'm saying I can write songs for more than just myself.
I've never really thought of myself as just an actor; I always thought of myself as aspiring to be an artist, and an artist has to take risks and put himself on the line.
I never thought about writing a novel until I was 13, and that happened by chance. I was on school holidays, and I was bored, and I thought I just wanted to do something to occupy myself instead of asking, 'What can I do, mum? Entertain me.' I started, and it really just took over, and I realised, 'Wow, this is an amazing experience.'
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
My only concern about art collaborations is that I never thought of myself as an Artist. My tax forms say Musician/Songwriter.
I started listening to The-Dream a lot. That's when I really got into writing songs. I like the way he put lyrics and makes his songs. So I was like, 'All right,' and I just started writing. That's when I started wanting to be a songwriter.
For the first records I really never thought about anything other than the song itself. I thought that this was what the job of a songwriter was. I was really approaching music from a very different standpoint. To me when I was younger the song was just the melody. I think as I've gotten older and have been recording myself I've become aware of just how many layers can exist within a song besides just the main vocal.
I'd become very involved in the production, so the albums were taking longer. So it was never a deliberate decision not to do live shows. A few times, I've thought about doing them again, but it's just kind of never happened. I've just sort of gone the path of becoming a recording artist I guess.
It's really hard to write personal songs. I'm not good at writing ditties because as far as writing hit songs that you pitch to the national artist, I just don't write that way.
A songwriter writes songs all the time, whereas just writing a song can be done by anyone, anytime.
I don't think I was ever designed to be a ubiquitous worldwide star. I'm a singer-songwriter writing quite personal songs. You're not supposed to chuck me on a stage with bells and whistles. There was a struggle ahead after that happened, and perhaps I was trying to write songs to compete in that arena.
I've always been a singer-songwriter - it started off with me and the guitar, just writing songs, they were very simple. When I got in the studio it took me probably three years to get where I am now - being open to experimenting with new songs, being comfortable with where the songs were headed. I'm happy with where they are because they feel very genuine and authentically who I am.
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