A Quote by BeBe Zahara Benet

You know, many people do not know that I am so immersed when it comes to music. I have such a huge knowledge of music. I like my songs, I like my melodies, my harmonies, you know.
That's one of the things I like best about folk music is the beautiful melodies - and the harmonies - that exist in it. And of course, some of the stories, the story songs.
The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.
I think emotion is just anything that is emotional, you know, people can feel with music. Music is already so emotional, like the strings, the chords, and the notes and the melodies and stuff. And then you throw on a topic that everyone can relate to. That's gonna be real music.
Irish music is guts, balls and feet music, yeah? It's frenetic dance music, yeah? Or it's impossibly sad like slow music, yeah? Yeah? And it also handles all sorts of subjects, from rebel songs to comical songs about sex, you know what I mean, yeah? Which I don't think people realize how much innuendo there is in Irish music.
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I would consider my music like, pop-R&B. So it can reach a lot of people. Pop is popular music. That's what it stands for. So I'm just making music that I know that I like, I know other people will like, and my fans will like.
Brazilian music has many of the ingredients that I strive for in my own music: Strong melodies and a disciplined but intense rhythmic concept, and interesting harmonies.
What most people know about me, they know through my music. This time, I've tried to open that door as wide as possible. These songs are a giant step closer to who I really am and what my music is all about. Hence the title.
In my opinion, there is a huge lack of imaginative, unconventional music being created by artists today and what little there is, goes widely unappreciated by the masses. 'Port Blue' is my attempt at re-creating the music I want to hear and the emotions I want to feel." "If by chance you ever feel as though you’ve come to know these songs, please consider yourself a friend because in a manner of speaking, you know me. This music is my heart and soul. This is who? I am." (Adam R. Young, 2006)
That's my goal: to get the world to know who Romeo Santos is. His music. My music. Even if they don't like it, I want them to know who I am.
I want to be like Ben Folds. Everyone loves his music, but you could be sitting next to him on a plane and never know it." "I would much rather people know my music than know my name.
I know like the Wiz Khalifah one, got me excited because I like his music, and its almost like you know I can relate to his music, so I feel like dang if he listens to my stuff and thought it was good then maybe I'm as good as him, you know what I mean?
I think I skipped a lot of music, like when I was 17 or 18. I didn't know about a lot of new bands because I was so immersed in older music.
The world is filled with people who are no longer needed. And who try to make slaves of all of us. And they have their music and we have ours. Theirs, the wasted songs of a superstitious nightmare. And without their music and ideological miscarriages to compare our songs of freedom to, we'd not have any opposite to compare music with - - and like the drifting wind, hitting against no obstacle, we'd never know its speed, its power.
Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.
I think I skipped a lot of music, like when I was 17 or 18. I didnt know about a lot of new bands because I was so immersed in older music.
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