A Quote by BeBe Zahara Benet

Of course, Jungle Kitty got really famous when I was doing it on 'All Stars 3.' I was just writing the song, and the words came out - that was the state of mind i was in. — © BeBe Zahara Benet
Of course, Jungle Kitty got really famous when I was doing it on 'All Stars 3.' I was just writing the song, and the words came out - that was the state of mind i was in.
I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.
I'm very excited to be able to take the Jungle Kitty experience to different places and travel with it and meet all the different jungle kitties out there.
Nick made me give away my Hello Kitty TV, my Hello Kitty microwave and my Hello Kitty toaster. I got to keep the Hello Kitty cordless phone.
To me, Jungle Kitty is a frame of mind where you don't apologize for who you are. You're very ferocious, you're a free spirit, you're outgoing. You don't conform to labels. It's really that side of me... she's so regal and she's so royal.
I was writing "Diamonds and Rust' and it had nothing to do with what it turned out to be. I don't remember what it is, but I think I was writing a song. It was literally interrupted by a phone call, and it just took another curve and it came out to be what it was.
When I'm writing songs, I write visually. When I'm writing the words down and I listen to the melody and the lyrics, I start seeing the video form. And if I can get through a song and from the beginning to the end have the whole video in my mind, I think that's a great song.
Writing for radio really focuses the mind, because you can't rely on thinking "Oh, just pull a funny face at the end of this sketch." You've got to try to work on the words.
The song came out to be a gem, just came out to be a really, really interesting rendition of it.
I love doing girly stuff with my mum or with Sophia. I took Sophia and a couple of her friends to the Hello Kitty spa. They had chocolate facials and Hello Kitty mani-pedis. I put it on my Twitter and got lots of abuse for it, but I think it's just a nice girly thing.
The hardest part is writing a song as a story. A song is so short and there are only so many words that every line has to hit. The words have to flow. You can't say certain words that sound weird next to each other, you can't repeat words too much.
I think the thing I really got from Ginsberg was that you can tell a story through kind of painting pictures with words. And when I found out that you could have a profession doing that, it was thrilling to me. It just became my passion immediately, playing with words and poetry.
I got into an argument with my original publisher. They wanted me to do 'Kitty' and nothing else. I wanted to do lots of things, not just 'Kitty' books.
When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva
The whole Beatle thing was just beyond comprehension. When 'Help' came out, I was actually crying out for help. Most people think it's just a fast rock 'n roll song. I didn't realize it at the time; I just wrote the song because I was commissioned to write it for the movie. But later, I knew I really was crying out for help.
I released that I could crank out a song if I practiced it a lot. If I am in the practice of writing songs everyday or every other day, getting ideas and following through with them, and not just saying "I've got this idea, but I will get to it at some point." If I actually sit down and not be lazy, and follow through with it then you just get in the practice of doing things. It feels very productive, and then it gets a lot easier, because you are working the muscle in your brain. The "song-writing muscle" so to speak.
I really, truly believe that writing comes out of the body; of course, the mind is working as well, but it's a double thing and that doubleness is united. I mean, you can't separate persona from psyche; you just can't do it.
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