A Quote by Beck

I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve.
Being singer/songwriter implies versatility and being able to create more than one medium, and R&B artist is a box, simple as that. It is 'that's what you do, that's what you are', and that's a little unfair, to me, because I don't just do that. So I like singer/songwriter because it allows me to move a little bit more freely.
Some things lend themselves well to songs, some things don't, and I'm learning that a lot at the moment. It's still a relatively new way of writing. It's only really the last five to 10 years that I've taken my writing seriously in this way, as something I can keep working toward. I think I feel myself much more before as simply a songwriter.
I don't think people really understood what I did. And you know, in my book, 'A Helluva High Note' deals with my back story, that I was a songwriter, that I spent years trying to hone my craft and being rejected and then finally becoming a successful songwriter, record executive and publisher.
I'm more of an artist and a songwriter than I am a DJ. That word seems a little bit - well, it doesn't really describe what I do.
To try and learn how to be a singer, a really good guitar player, a really good pianist, it's always lagged a bit behind learning to be the best songwriter I could possibly be because songwriting comes naturally to me.
When I started out, I wanted to be Billy Joel. The plan was to be a singer-songwriter of that ilk, and, then, I got waylaid - that's probably an unfair way to say it - from being a rock star by the musical theatre stuff, which I love doing.
I think one thing you could probably say for all my albums is that they're all pretty eclectic pop. There's always a little bit of urban influence, some dance, a little bit of country, singer-songwriter, pop-rock. I like everything! On every album you can find that.
It was like I had evolved to a certain stage where I was stuck in this songwriter bag as an image. But basically at heart, I'm a rocker. And I still am. But I was caught up in the singer/songwriter bag and I wasn't really enjoying it.
My writing voice is a little quirkier, more singer-songwriter-y than the Top 40 stuff I cover.
What Autotune allows is for people like myself and Kanye West not to depend on the singer. Back in the Fifties, the songwriter was rendered invisible. Now the songwriter is there in the forefront.
My identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.
Very unique: I was a singer-songwriter-guitarist. Very unusual in the late Seventies to find a singer-songwriter, and on top of that, a guitarist.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
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