A Quote by Becky Albertalli

I like the idea of a broader range of people feeling seen. — © Becky Albertalli
I like the idea of a broader range of people feeling seen.
I really enjoy it - it's like a videogame on wheels. The GPS touch screen is one of the most entertaining things I've ever seen in a car. I still have a Range Rover that I don't drive much anymore, because I started feeling bad about it.
When you think of H&M, you're thinking of something that's accessible to a broad range of people, perhaps far broader than most of these beautiful shows.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
Hollywood will put you in a box, so to speak. Some people will have seen you in 'La Bamba' or another dramatic film and think, 'Okay, that's what Lou does.' But they don't really have an idea of the range or diversity that I can bring to a project.
I happen to like regionalism, whatever that means. I like the idea of art that somehow specifically reflects some aspect of a community or culture from which was created, the idea of uniform art sounds dreadfully boring and almost fascistic in its implication. So in that sense, I really celebrate the idea of a place that allows for a range of ideas and certainly L.A. does that.
A trumpet sounds pretty much like a trumpet, and that's true of a lot instruments; pianos sound like pianos, but there's something about the guitar - the range of possibilities is much broader.
I have great ambitions for when I get out of government. I will watch a broader range of stuff.
It’s a very American illness, the idea of giving yourself away entirely to the idea of working in order to achieve some sort of brass ring that usually involves people feeling some way about you – I mean, people wonder why we walk around feeling alienated and lonely and stressed out.
In a small company, you often see a lot more of what goes on in a broader range of things. And that's good.
Sometimes, when things are going really well, I feel like I've already seen things - it's the flashback feeling in a good way. Like I'm watching a rerun, because I've studied this defense and know what comes next. Now, that is a good feeling, when your mind is working fast because you've studied, and you realize, 'I've seen this before.'
I don't have the biggest range on Earth, obviously, and I feel like people give me a lot of flak for that, but I don't really claim to have a big range.
A lot of people disagree with me on this, but the people who want somebody not of Washington, it's serious this time. It's - the disconnect between the Republican Party establishment and the Democrat establishment and the people of this country is longer, broader, wider than I've ever seen it.
I look at Thich Nhat Hanh and I look at Marshall Rosenberg, and they're more concerned about the long range. And that long range means that you have to sit down with people who don't think like you. I want to reach people who don't think like me.
Certainly, I look for different characters 'cause I always like to keep people guessing, and I also don't like to get typecast. I made a concerted effort, last year and this year, to get a range of characters, just to show people the range that I have, and for them to be able to see the artistry beyond the color.
Some people say I've got a five-octave range, which is ridiculous. That would mean I'd sing like Mariah Carey or that alien in 'The Fifth Element.' And I'm nothing like that blue alien. I've got a range of about 3 1/2 octaves.
As a consumer of culture, I like a wide range of emotions to be touched in art. It's funny but on the other side of it, I do feel that people that are trying to sell culture would like to see a narrower range of expression from their content-makers. Easier to sell I guess.
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