A Quote by Becky Albertalli
As a reader and as a viewer, usually when I watch a movie, I'm caught up enough in the movie that I'm not breaking it down to the details anyway.
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I'm always a little starstruck anyway. So to work with a movie star, which is Brad, I was excited about that; to work with a movie legend, which is Tony, I wouldn't have passed that up. Just to get to watch him and watch how he works.
I think if the movie has resonance and stimulates the viewer to talk about it, you can have as large an audience as you want. The most important thing for me is that the movie exists. And that's success enough already.
The first time I got recognized in public was at a movie theater. It was at the 'Lord of the Rings' movie premiere. I was at the movie theater, and someone came up, and it was so weird to me, because I had never been recognized by a viewer, so I thought that was scary.
Watching a movie a couple of weeks ago. An American movie. I can't remember the name, but it wasn't even a sad movie. It caught me off guard. I was on an airplane.
But to demand that a work be “relatable” expresses a different expectation: that the work itself be somehow accommodating to, or reflective of, the experience of the reader or viewer. The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her. If the concept of identification suggested that an individual experiences a work as a mirror in which he might recognize himself, the notion of relatability implies that the work in question serves like a selfie: a flattering confirmation of an individual's solipsism.
A good movie is a movie that you could see over and over again, not a movie that wins a Oscar, or a movie that makes a lot of money. It's a movie that you personally can watch over and over again. That, to me, is a measure of a good movie.
I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them anyway!
I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!
Okay. I picked up a movie to watch tonight. You can watch it with me if you like. It's a chick movie. Merri Lee said that means girls like it, not that there are small birds in it.
You know that certain things that you use in the film are going to be shown to audiences five hundred times before they ever sit down to watch the movie. So you have to kind of modulate what can I do to give marketing enough material but that I can still withhold certain things so that it's fresh and surprising for the audience coming to see the movie.
You can window-dress and promote a movie as much as you like but if the movie hasn't got substance and isn't an exciting movie, people won't watch it.
I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.
TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.
When you finish work, practically everybody in that place is going to watch a movie at night anyway. They're tired. They have dinner. They go up to their room. They're watching TV.
I never really did years of movie-after-movie-after-movie but when you've got three toddlers in the house you're performing all day long, anyway, with puppet shows and stories - I act around the clock.
If I see a movie for the first time on DVD, I watch it all the way through, the lights are down, I don't pick up the phone. The third or fourth time you see a movie, sometimes you just have them on and you check in every once in a while with things that you liked. I think it's a different expectations from that environment.
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