A Quote by Becky Albertalli

It's funny, the moments that shape you as a writer. — © Becky Albertalli
It's funny, the moments that shape you as a writer.
We love super-silly moments, funny moments, serious moments, weird moments.
The writer's genetic inheritance and her or his experiences shape the writer into a unique individual, and it is this uniqueness that is the writer's only stuff for sale.
I always tend to remember the funny moments. When I lost my shoe (even though it was funny) there was something motivating about it, I just ended in this spastic emotional way. I tend to remember the more extreme moments.
In terms of moments that pushed me toward becoming a writer... My parents, my wife, and my English teacher in the 8th grade were all hugely supportive at moments during my development as a writer that were critical, where I might have quit when things got too hard.
When you have passion it changes your perspective on things, you want every tiny detail to be right. You want funny moments to be funny, sad moments to be sad. You wanna give your all.
All those awkward moments - that's on the cast for doing such an amazing job. I think it was funny on the page, but when they did it, you definitely went, "Oh!" Watching it with a crowd that, like you said, was not expecting it to be funny, but then genuinely finding it funny, is totally a credit to their performances.
The moment you think you're not funny, the next funny thing you think of is just around the corner. So you have to appreciate the natural breathing patterns, the ups and downs. There are moments you're going to be hilarious and moments where you're going to be not so hilarious. That's just the way it works.
I love the funny and sweet moments I have with my cats, Jake and Frank, so I'm honored to be celebrating these moments at the Catdance Film Festival.
When I heard that Hitler had problems with flatulence, it's funny. What - does that make him a funny man? No. It means he had funny moments when his rear end was speaking louder than his mouth.
I am a gay writer, but I am also a Scottish writer and some days a lazy writer, or a funny writer. Being gay is just a part of who I am.
Audience laughter, when it's deserved, acts as a sort of fairy dust that makes funny moments not just funny, but joyous.
There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.
I think when you do comedy, you play by a different set of rules. No one really wants you to be in that good shape. Being in good shape implies a level of vanity that isn't necessarily funny.
As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.
I'm not a boy-writer, I've never been. I wanted to be a boy-writer when I was young, and I think that held me back. I wanted to be very clever, and funny, but I'm not very clever and not terribly funny. I've finally accepted my limits, and I do what I can do.
Movies don't look hard, but figuring it out, getting the shape of it, getting everybody's character right and having it be funny, make sense and be romantic, it's creating a puzzle. Yes, having been a writer for so long, I have an awareness of when things are going awry, but it doesn't mean I know how to fix them.
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