A Quote by Becky Hammon

And a pick and roll in the women's game is a pick and roll on the men's game... I mean, character, working for each other - trusting your teammates. That stuff, that's universal.
In pick-and-roll situations, I feel like the NBA is all pick-and-rolls, so I want to be able to handle the ball in pick-and-rolls and make the right read, make the right passes, and make plays for my teammates.
When I'm in the game [softball], it's not so much mechanics. It's more of just trusting my teammates, trusting myself, trusting my preparation that we've put in to get there. When you're in the game, it's go-mode. There's going to be times when you're tweaking things but when you're in that game mode, you just want to think about that one next pitch.
Each outing is its own game. You roll on your game plan. It is a different chess match each time you go out there. I just try to be prepared.
When you're watching from the bench, you can pick up on everything - where guys like to shoot the ball from, how teams defend the pick-and-roll, which big men are good at hedging the screen and so on.
I really think your roster and your personnel dictates your style of play. When you have David West and Roy Hibbert does it make sense to play spread pick-and-roll game when you have those abilities inside?
I heard guys say they got into rock and roll to pick up women. I didn't get into rock to pick up women, but I sure adapted.
I can hedge out on the screen-and-roll, I can fall back, and I can switch. I'm pretty good with everything on the pick-and-roll.
If I get my teammates going early, then my shots usually open up. Come off pick and roll and make the pocket pass on the first one. Then it's like OK, does the defender step up now? Then next time I may have the layup. So, just playing the game like that. Reading and reacting and not thinking too much.
Genealogy of ideas. You don’t get to pick your family, but you can pick your teachers and you can pick your friends and you can pick the music you listen to and you can pick the books you read and you can pick the movies you see.
I look at improvising as a prolonged game of chess. There's an opening gambit with your pawn in a complex game I have with one character, and lots of side games with other characters, and another game with myself - and in each game you make all these tiny, tiny moves that get you to the endgame.
Maybe the thing to do after you roll the dice-and lose-is simply pick them up and roll them again.
I watch a little bit of tape to pick up small stuff, but I don't try to pick apart my opponent's game plan. I'm going to keep coming forward. I don't ever take a step backward. I get hit, and I'm right back into range.
I think sometimes, you have to pick your spots about when a game gets intense or when the game's outcome is pivoting in that moment.
We really wanted to be rock 'n' roll, so we became rock 'n' roll, and really good at it, but you pick up loads of layers and you completely forget who you are and what you are.
You got to be able when you get the ball, slow it down, read the defense, call for a pick, and go off a pick-and-roll instead of going isolation all the time. Just be able to use that screen.
I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.
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