A Quote by Becky Lynch

Everybody that's employed by 'WWE' - the biggest wrestling company in the world - should be good wrestlers able to tell good stories. — © Becky Lynch
Everybody that's employed by 'WWE' - the biggest wrestling company in the world - should be good wrestlers able to tell good stories.
Growing up watching WWE, they used to have bra-and-panties matches or pillow fights, and that's why my mom didn't want me to watch wrestling. But when my parents divorced, I was able to watch wrestling again, and that's when I started to really get into wrestlers like Ivory.
The WWE has the largest amount of eyes on it and is the biggest wrestling company in the world. It would be a huge honor for myself to work there, but am I going to be given the same 'Villain' mic time?
Wrestling is a performance. Its entertainment, we [wrestlers] tell stories. We make our fans happy by telling stories but the long and short of it its pretty much the same thing as acting.
I busted my tail for so long, I'm just glad it's getting recognized now as part of the WWE. Because let's face it, the WWE is the biggest company out there when it comes to wrestling. I'm just happy that I'm being recognized as somebody who works hard, I guess.
A good friend of mine, Maria Menounos, she's kind of like a mentor to me. She dabbled in WWE and pro wrestling, and she said 'This is the perfect opportunity for you.' Once I started doing my research about the competition and the company, I fell in love with WWE even more.
I think the yearning for a different product is really strong. WWE hasn't had any significant change since, what, 2001 in wrestling? WWE provides so much good content. Just good, wholesome content, but they're still the only one.
To me, a good storyteller should be able to tell stories across genres.
A lot of U.K. wrestlers are very good at chain wrestling, telling a story through holds, while American wrestling is a little more flashy, with lots of high-spots.
In WWE there's a huge degree of acting you need to have to become legendary, to become popular. You have to become a great actor in WWE and that's something I've honed from a young age. I could never be the biggest guy on the show when I first started wrestling; it was all about the giants. But I could have the biggest personality, the biggest character.
Videogames tell stories on good and evil, and so does the WWE, so that's the core of both things.
I love traveling the world, meeting new people, and letting WWE fans know that the champ is out doing his thing and trying to spread the good word of WWE. I love the feeling of being the ambassador for the company.
In the wrestling world, we say the Judo guys are just the leftover wrestlers that couldn't make the wrestling team.
I remember when I had just left WWE and I was wrestling in England and Germany, I could just tell that this influx of this new wave of wrestling was coming much like it felt when I began wrestling back in '99.
The key to WWE's success and longevity is that they are, as modern and as relevant as the company may be in modern social media and platforms and contemporary distribution, the company is still built around old-school promotion. Who are these two fighters? Why are they wrestling? And why should I pay to see it?
My career has taken so many different paths to this point that I've come to realise that we're all the same, everywhere I've been. We're all just creatures trying to tell stories as good as we can, so whether that's in a tiny theatre or as part of the biggest multi-million dollar film, we're all still just trying to tell a good story at the end of the day.
You're missing it. This is not a one-man show. What's reinvigorating this company is two things: One, there's a lot of really talented people in this company who listened to the world tell them they were losers for a couple of years, and some of them were on the verge of starting to believe it themselves. But they're not losers. What they didn't have was a good set of coaches, a good plan. A good senior management team. But they have that now.
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