A Quote by Bede Griffiths
This is criterion by which the Church is to be judged, not by the forms of its doctrine or ritual, but by the reality of the reality of the love which it manifests.
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What I want to show in my work is the idea which hides itself behind so-called reality. I am seeking for the bridge which leans from the visible to the invisible through reality. It may sound paradoxical, but it is in fact reality which forms the mystery of our existence.
[Ritual] dwells in an invisible reality and gives this reality a vocabulary, props, costume, gesture, scenery. Ritual makes things separate, sets them apart from ordinary affairs and thoughts. Rituals need not be solemn, but they are formalized, stylized, extraordinary, and artificial. In the name of ritual, we can do anything. We can do astonishing acts. In the end, ritual gives us assurance about the unification of things.
The fact is that pictures which are unlike reality ought not be approved, and even if they are technically fine, this is no reason why they should offhand be judged to be correct, if their subject is lacking in the principles of reality carried out with no violations.
But before all else a work of art is the creation of love. Love for the subject first and for the medium second. Love is the fundamental necessity underlying the need to create, underlying the emotion that gives it form, and from which grows the unfinished product that is presented to the world. Love is the general criterion by which the rare photograph is judged. It must contain it to be not less than the best of which the photographer is capable.
Every one may know that to will and not to do, when there is opportunity, is in reality not to will; and that to love what is good and not to do it, when it is possible, is in reality not to love it. Will, which stops short of action, and love, which does not do the good that is loved, is a mere thought separate from will and love, which vanishes and comes to nothing.
What we need to be assured of is not that we possess an excellent system of doctrine and ritual, but that the gift of the Holy Spirit is a reality.
Virtual reality is a denial of reality. We need to be open to the powers of imagination, which brings something useful to reality. Virtual reality can imprison people.
The demands of our reality function require that we adapt to reality, that we constitute ourselves as a reality and that we manufacture works which are realities. But doesn't reverie, by its very essence, liberate us from the reality function? From the moment it is considered in all its simplicity, it is perfectly evident that reverie bears witness to a normal useful irreality function which keeps the human psyche on the fringe of all the brutality of a hostile and foreign non-self.
Life is suffering. We have desires and expectations and egos, and we compare the reality we have, which is miraculous and wondrous, with this reality we desire. That somehow distances us from actually taking part fully with the reality we do have, and that creates suffering. For me, the thing that I love is that it's all about the present moment.
I have to tell it again and again: I have no doctrine. I only point out something. I point out reality, I point out something in reality which has not or too little been seen. I take him who listens to me at his hand and lead him to the window. I push open the window and point outside. I have no doctrine, I carry on a dialogue.
Realism is not a matter of any fidelity to an empirical reality, but of the discursive conventions by which and for which a sense of reality is constructed.
In order to pin down reality as realilty, we need another reality to relativize the first. Yet that other reality requires a third reality to serve as its grounding. An endless chain is created within our consciousness, and it is the maintenance of this chain which produces the sensation that we are actually here, that we ourselves exist.
I do not mistrust reality, of which I know next to nothing, but I am suspicious regarding the image of reality which our senses convey to us, and which is incomplete and limited. Our eyes have developed such as to survive. It is merely coincidence that we can see stars with them, as well.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
... our reality teaches us that, as Christians, we must create a Church of the poor, that we don't need a Church imposed from outside which knows nothing of hunger.
I like photography because it is a reality medium, unlike drawing which is unreal. I like to mess with reality...to bend reality. Some of my works beg the question of is it real or not?
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