A Quote by Bede Griffiths

I liked the solitude and the silence of the woods and the hills. I felt there the sense of a presence, something undefined and mysterious, which was reflected in the faces of the flowers and the movements of birds and animals, in the sunlight falling through the leaves and in the sound of running water, in the wind blowing on the hills and the wide expanse of earth and sky.
Along with rising and falling water, winter is the province of wind. When the sea-breath and mountain-roar bend the hemlocks of these hills, the birds hang on as best they can.
God, we thank you for this earth, our homes; for the wide sky and the blessed sun, for the salt sea and the running water, for the everlasting hills and the never resting winds, for trees and the common grass underfoot. We thank you for our senses by which we hear the songs of birds, and see the splendor of the summer fields, and taste of the autumn fruits, and rejoice in the feel of the snow, and smell the breath of the spring. Grant us a heart wide open to all this beauty; and save our souls from being so blind that we pass unseeing when even the common thorn bush is aflame with your glory.
This house has been far out at sea all night, The woods crashing through darkness, the booming hills, Winds stampeding the fields under the window Floundering black astride and blinding wet Till day rose; then under an orange sky The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye.
. . . every tree near our house had a name of its own and a special identity. This was the beginning of my love for natural things, for earth and sky, for roads and fields and woods, for trees and grass and flowers; a love which has been second only to my sense of enduring kinship with birds and animals, and all inarticulate creatures.
The colours of insects and many smaller animals contribute to conceal them from the larger ones which prey upon them. Caterpillars which feed on leaves are generally green; and earth-worms the colour of the earth which they inhabit; butter-flies, which frequent flowers, are coloured like them; small birds which frequent hedges have greenish backs like the leaves, and light-coloured bellies like the sky, and are hence less visible to the hawk who passes under them or over them.
The fields and the flowers and the beautiful faces are not ours, as the stars and the hills and the sunlight are not ours, but they give us fresh and happy thoughts.
When he awoke it was dawn. Or something like dawn. The light was watery, dim and incomparably sad. Vast, grey, gloomy hills rose up all around them and in between the hills there was a wide expanse of black bog. Stephen had never seen a landscape so calculated to reduce the onlooker to utter despair in an instant. "This is one of your kingdoms, I suppose, sir?" he said. "My kingdoms?" exclaimed the gentleman in surprize. "Oh, no! This is Scotland!
Dying was nothing and he had no picture of it nor fear of it in his mind. But living was a field of grain blowing in the wind on the side of a hill. Living was a hawk in the sky. Living was an earthen jar of water in the dust of the threshing with the grain flailed out and the chaff blowing. Living was a horse between your legs and a carbine under one leg and a hill and a valley and a stream with trees along it and the far side of the valley and the hills beyond.
The bluebells made such a pool that the earth had become like water, and all the trees and bushes seemed to have grown out of the water. And the sky above seemed to have fallen down on to the earth floor; and I didn’t know if the sky was the earth or the earth was water. I had been turned upside down. I had to hold the rock with my fingernails to stop me falling into the sky of the earth or the water of the sky. But I couldn’t hold on.
Despite the fact the studio looks out of five windows onto a picture perfect view of sky, hills and wide open spaces, I work with my blinds firmly drawn, daylight filtered through their white canvas, a painterly northern light falling through two big skylights above my table, and nothing visible outside to distract me.
I transmit astral plane harmonies through my brushes into the physical plane. These otherworld colours are reflected in the alphabet of nature, a grammar in which the symbols are plants, animals, birds, fishes, earth and sky. I am merely a channel for the spirit to utilize, and it is needed by a spirit starved society.
Blue is the insides of something mysterious and lonely. I'd look at fish and birds, thinking the sky and water colored them. The first abyss is blue. An artist must go beyond the mercy of satin or water-from a gutty hue to that which is close to royal purple. All seasons and blossoms inbetween. Lavender. Theatrical and outrageous electric. Almost gray. True and false blue. Water and oil. The gas jet breathing in oblivion. The unstruck match. The blue of absence. The blue of deep presence. The insides of something perfect.
Wind does not need translation. It speaks the language of men, of animals and birds, of rocks and trees and earth and sky and water. It does not eat or sleep, or take shelter from the weather. It is the weather. And it lives.
I have thought that wild flowers might be the alphabet of angels, — whereby they write on hills and fields mysterious truths, which it is not given our fallen nature to understand.
It's a warm wind, the west wind, full of birds' cries; I never hear the west wind but tears are in my eyes. For it comes from the west lands, the old brown hills, And April's in the West wind, and daffodils.
Within minutes my 115-mile walk through the desert hills becomes a thing apart, a disjunct reality on the far side of a bottomless abyss, immediately beyond physical recollection.But it's all still there in my heart and soul. The walk, the hills, the sky, the solitary pain and pleasure-they will grow larger, sweeter, lovelier in the days to come, like a treasure found and then, voluntarily, surrendered. Returned to the mountains with my blessing. It leaves a golden glowing on the mind.
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