A Quote by Bee Wilson

One of the strange things about imaginary food is that it allows us to take pleasure in reading about things that we would never want to eat in real life. — © Bee Wilson
One of the strange things about imaginary food is that it allows us to take pleasure in reading about things that we would never want to eat in real life.
I love french fries, I like a good burger, and I like pie. And that's okay. I would be depressed if I felt I could never eat the things that I love. I also don't want my girls to be obsessed about food. We don't have a "no junk food" rule - I just want them to think about their choices.
I would be depressed if I felt I could never eat the things that I love. I also don't want my girls to be obsessed about food.
I challenge youth to cooperate with parents who are concerned about your reading and your viewing. Be concerned yourself about what you take into your mind. Young people, you would never eat a meal of spoiled or contaminated food if you could help it, would you? Select your reading and viewing carefully and in good taste.
Love is very important in The First Man, in that [Albert] Camus loves these things he never chose, he loves his childhood experience in a very real way. Their poverty meant that there was nothing else they could think about but what they would eat, how they would clothe themselves. There's just no room for other things in his family. It's difficult for others to imagine the position in which he found himself. There is no imaginary existence in their lives.
Food is not just fuel. Food is about family, food is about community, food is about identity. And we nourish all those things when we eat well.
Write about what really interests you, whether it is real things or imaginary things, and nothing else. (Notice this means that if you are interested only in writing you will never be a writer, because you will have nothing to write about...)
I am interested in people who swim in the deep end. I want to have conversations about real things with people who have experienced real things. I'm tired of talking about movies and gossiping about friends. Life is crunchy and complicated and all the more delicious.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
Write about what really interests you, whether it is real things or imaginary things, and nothing else.
Everything is super personal. Basically all of the songs are 'this is my life and what I feel about it.' That's how my brain works and thinks about things. It's really strange because I never really think about what I want to write about - it sort of just comes out. I literally say whatever is in my brain.
It is important that we relish the food we eat. If we cannot do this, but eat mechanically, our food does not do us that good it should, and we fail to be nourished and built up by it as we otherwise would be, if we could enjoy the food we take into the stomach.
Using the device of an imaginary world allows me in some strange way to go to the central issues - it's one of many ways to express feelings about real people, about real human relationships.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
If I want to go out and eat at a restaurant with amazing food, I'll do that, like, once a week where I'm not thinking about it. I want to indulge! I want to do things that are not necessarily healthy sometimes.
But why,... if you have a serious comment to make on the real life of men, must you do it by talking about a phantasmagoric never-never land of your own? Because, I take it, one of the main things the author wants to say is that the real life of men is of that mythical and heroic quality.
One of the more depressing things about reading your fiction 25 years later, or 10 years later, is you realize the only things going on are things you made go on. Strange and interesting and new and wonderful things don't happen. It's the book you wrote; that's all.
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