A Quote by Bei Dao
Being a poet in the States is quite different from being one in China, because in the States poetry depends on the universities for its support. They finance the poets and help them get published. That isn't so in China. But overall it is the same. You can't change society with poetry.
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I tend to like the way poets form communities. Writing can be lonely after all. Modern life can be lonely. Poets do seem to be more social than fiction writers. This could be because of poetry's roots in the oral tradition - poetry is read aloud and even performed. I'm just speculating, of course. At any rate, because poets form these groups, they learn from one another. That is one of the best things about being a poet.
We haven't had a recession for 25 years in Australia. It's partly because of our trade with China. China's been doing relatively well. So some of the tensions around a low-wage economy haven't quite happened here in the same way as they have in the United States.
In 2006, I became the fist American to be allowed to go visit their astronaut center in China in Beijing. I think that it makes sense for the U.S. to work with China in the future and I hope to see, if the political atmosphere between the United States and China allow for us to do more cooperation together, especially in the area of human space flight. I think in the same way that it's help improve the relations between the U.S. and Russia; it would help to improve the relations between the U.S. and China.
When we look at the arts and letters in America, especially if we look at poetry, and poetry set to music, this dialogue, we have this very powerful beautiful, eclectic, diary, or narration of being in America, being American, participating in America, becoming more of America and also as an American, the American creative spirit, which is quite interesting. Our composers and poets have spent more time writing and thinking and speaking out of what it means to be a composer or poet as well as to be an American, or a composer or poet In America; both relationships.
China's productive system draws upon the other East Asian countries to a great extent. The volume of trade is much larger than the net amount being exported from China. China needs substantial reserves to finance all that.
There's not a big range in the political poetry of the last year, or not a political range. On the one hand, no poet that I know of who writes in English in the United States is anything but a humanist. So all poets, including myself, seem to be under that umbrella. We just don't have Rush Limbaugh poets, Ann Coulter poets.
The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
We want to promote people-to-people exchanges so that China and the United States can really join together, not just to solve the problems of China or the United States, but some of the big problems facing the entire world. From climate change to famine to even terrorism.
China's own recent history proves that when it opens itself, there is nothing its people cannot accomplish. A more open China will lead to a more prosperous and stable China. That's good for China, the United States and, indeed, the entire world.
I thought poetry could change everything, could change history and could humanize, and I think that the illusion is very necessary to push poets to be involved and to believe, but now I think that poetry changes only the poet.
Most poetry is the utterance of a man in some state of passion, love, joy, grief, rage, etc., and no doubt this is as it should be. But no man is perpetually in a passion and those states in which he is amused and amusing, detached and irreverent, if less important, are no less amusing. If there were no poets who, like Byron, express these states, Poetry would lack something.
As the Coronavirus spread from Wuhan, China, to the United States, most governors quickly acquiesced to the media's demand that they force a governmental shutdown of their states in order to prevent hospitals from being overwhelmed.
Although China and United States are competitors, China and the United States are indeed partners in trade.
In the short term, it would not have made it possible to resume relations, because in the Chinese mind, the humiliation of China started with the annexation of Taiwan by Japan. If the United States had suddenly declared Taiwan as a separate state - for which we would have had no support among other nations - the consequences would have been giving up our relationship with China and committing ourselves to a long-term conflict with China.
China can be a guarantor to North Korea that if they give up their nuclear capacity, the United States will not be in a position to harm them. And for the United States, China can also be a guarantor that if there is an agreement, that the agreement is effectively implemented by the North Koreans.
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
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