A Quote by Bela Lugosi
I'd like to quit the supernatural roles and play just an interesting, down-to-earth person.
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If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
With film roles, it just has to be a character either I haven't done before, or a role with somebody really interesting or with an interesting person or group of people.
Shannon and all of us started the band so it just felt really natural, and then she quit, and then she came back, and then she quit again. I love working with her and would do it again, but that's just not in the cards. And Josh is a great person to play with - he can play any instrument. He's really inspiring and positive. It was great. It was meant to be temporary.
I love to work anywhere, but because there is so much attention after 'The Square' my three agents wanted me to quit the play when I did it. I refused as I thought it was an interesting and brilliant play, and I didn't just want to run straight off to Hollywood.
It's hard because I seek out strong female roles. I turn down a lot of stuff, not because it's not good, but because I don't want to play certain types of characters. I don't like to just play the pretty girl.
Anything that God wants you to have, there's no devil in hell and no person on earth that can keep you from having it if you just won't quit and give up.
I was just feeling really down and didn't want to play tennis anymore and when I was feeling down like that, what helped me is that I went back to my culture. To walk the Earth.
There's plenty of girlfriend roles out there. They've come my way, and many people have turned them down, and I think, "Oh maybe I could do something with this." It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.
I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that's like my 'Blues Brothers' mission.
I'm an actor and I am looking for roles where I can continue to evolve, and things that are challenging. I gravitate to the roles, not necessarily television or film. It's just the fact that, for me, the most interesting roles have been in television.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
All the roles are for boys. The girls' roles are either small or all the same. There's just nothing interesting.
I'm a really good person. I'm down to earth. I have a big heart. I have feelings. And I'm just like everybody else.
I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.
Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.
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