A Quote by Bela Lugosi

Without movie parts I was reduced to freak status. I just couldn't stand it. — © Bela Lugosi
Without movie parts I was reduced to freak status. I just couldn't stand it.
The truth is, every movie is a message movie. It's just that most movies have messages that are in lock step with the status quo.
It was Dell who came out with their build-on-demand process, where they are able to keep a zero balance inventory. That means they don't purchase parts until an order is received. That is a way to greatly reduced overhead, since you don't need to warehouse parts or overstock parts you may not end up using.
If my life is a movie - in the movie, there's always the bad part. There's also the parts where you're down and out, and there are parts where everything's amazing.
There is a reductive nature to the Internet, and it's not limited to comic book news sites and stuff: it's everybody. There is a reductive nature of it, by which anything that's said very quickly gets reduced down to the next. Reduced, reduced, reduced to the point where rumors with some sense of nuance to them just become fact.
Roxanne came along in '86, when I was doing a lot of stand-up. I auditioned for the movie, and of course I was a huge Steve Martin fan, so I really hoped I would get this part. I don't think there was any part in particular that I auditioned for. I just went in and talked with them. There were so many parts in there, and so many comedians ended up getting in that movie, playing different firemen and townspeople.
We reduced the size of our front page code by about 50%, and by using absolute positioning, we are able to display important parts of the page before other parts may have fully loaded yet.
I just finished my 62nd or my 63rd movie here, and you know, I do good ones, I do bad ones, I do big parts, I do small parts, I do cameos - but I've allowed myself a pat on the back, because I realized that I've been working in Hollywood now since 1973.
Men and women of high professional standing have been reduced to the status of vagrants.
What I think networks do so well are big, fun, accessible, invite everybody into the tent kinds of storytelling, akin to an early Spielberg movie or a Michael Crichton novel. That's not to say that there aren't scary parts 'cause there are, and that there aren't sexy parts and edgy parts, just like early Spielberg would have, but there's a lot of heart, a lot of emotion and complicated characters.
Earthly families all look different. And while we do the best we can to create strong traditional families, membership in the family of God is not contingent upon any kind of status - marital status, parental status, financial status, social status, or even the kind of status we post on social media.
A man can stand a lot as long as he can stand himself. He can live without hope, without friends, without books, even without music, as long as he can listen to his own thoughts.
You can have music and it will stand alone by itself, but you can't have a movie without it.
As I've gotten older, the parts have diminished. I liked it when I was younger, I could always play the lead in the movie and I could do all the romantic scenes with the women, and it was fun and I liked to play that. Now, I'm older and I'm reduced to playing the backstage doorman or the uncle or something. I don't really love that so occasionally, when a part comes up, I'll play it.
School is about two parts ABCs to fifty parts Where Do I Stand in the Great Pecking Order of Humankind.
It's a mistake to just go make a movie where the whole thing is talking down to the kids like, "Ok, we gotta bring the IQ of this movie down because it's a kids movie" You don't have to do that, kids can laugh and parents can laugh at different parts and that's fun, and you see that with all of the great kids movies.
I’d cut my soul into a million different pieces just to form a constellation to light your way home. I’d write love poems to the parts of yourself you can’t stand. I’d stand in the shadows of your heart and tell you I’m not afraid of your dark.
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