A Quote by Bela Lugosi

Every actor's greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula. — © Bela Lugosi
Every actor's greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
There has to be a way to redirect employee's driving ambition and to channel it more productively. There is. Create heroes in every role. Make every role, performed at excellence, a respected profession.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
As an actor, I always feel that each and every character in my films has to be distinct. The character Thilak that I play in 'Kavan' will be one such unique role in my career.
Actors are always identified with certain parts. To some, Marlon Brando will always be the Godfather. That's just how it is, whether the character happens to be your own personal favorite role or not. You can't ever get away from it.
Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
Every time when I start preparing my character for a movie, I always try to make up and create my own background story for the role in order to fill it with life.
An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.
Every actor, has a dream role, I would like to admit Kamini Mathur is my dream role and I am so happy to portray this character.
Because he's a character who's looking for his own identity, [He-Man is] an interesting role for an actor.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
In my journey, I got amazing characters to play which were as interesting as a lead role. In 'Commando,' my role was so good. I feel no actor have rejected that kind of a role.
I really do think that every time you play a role well, you are in danger of being identified with that role until the next big thing comes along.
It is how you approach the role given to you, and how you relate to that character and then how you adapt and gel into that role which makes you a good actor.
Because I write the screenplay entirely and precisely, there is the danger that an actor might feel that this finite role is being imposed on them. I want the actors to feel that this is their own role, and that they can go back to point zero and develop this character.
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