A Quote by Belinda Carlisle
A lot of people don't know that the Go-Go's came from the L.A. punk scene.
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The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
When I first hit the scene, it was just a lot of go, go, go, go, go. I have a lot of natural energy anyway, but it was over the top.
I hate it when people say I'm not a true punk. I don't go around calling myself punk; I never have. That's what people need to know -- it's not me saying that, it's the media. I'm a rocker.
I found so many reasons to call it 'You're Dead!' - not just because I wanted to make this album about the journey through death. I was watching the music scene that I came up with kind of go stale and watching the lights go out on a lot of my friends.
I just try not to subscribe to the ways of celebrity. I'm not a celebrity, I'm a working actor. A lot of the events - the parties and the premieres that people go to to get noticed - I'm just not into. I'll hang out with my friends, go see punk shows, read at home. At the same time, I have a production company, which is a lot of work.
I just try not to subscribe to the ways of celebrity. I'm not a celebrity, I'm a working actor. A lot of the events -- the parties and the premieres that people go to to get noticed -- I'm just not into. I'll hang out with my friends, go see punk shows, read at home. At the same time, I have a production company, which is a lot of work.
I was into punk, but I didn't go whole-hog. A lot of kids who grew up in small towns that were into punk music went the "safe" way - not doing drugs, being straight edge.
I came up in the punk rock scene of Seattle.
I'm creative. I can't relax unless I've got some project on the go. I'm somebody from art school, and art school during the punk era, when you just had a go at whatever came along.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
Go big or go home.' I used to say that. I was addicted to that. The lifestyle, the fame. The girls. The parties. And with that came a lot of people who didn't really care about me. They were just leeches. Just very bad people. I had to learn a lot. I was very gullible.
When I go home, I go to my house in the countryside. I don't hang out in Dublin. I go home to be with my family and have a rest and so on. I don't know anything about the Irish music scene, and I've never felt part of it.
There are all the offsprings of people who are influenced by punk. It sounds completely different - but it's still rock 'n' roll. When hip-hop came on the scene, it was the last legitimate creation of a new genre.
I feel like I have a lot of rhythm because I'm from the DMV. Because you got so many different types of music: Baltimore Club music, Go-Go, then you got the DMV rap music scene, then you got the DMV R&B music scene. It's a lot of music and it's a lot of taste that caters to most.
The underground scene is still a cool way to meet a lot of cool people, see a lot of interesting bands and get a lot of food for thought, but people have to remain curious and get their brain activity food from other places besides punk.
I was a punk when I was 15 - I was definitely into it in a big way and loved it - but I came to London when punk was maybe where you'd say punk is dead.
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