A Quote by bell hooks
In this culture, the phrase 'black woman' is not synonymous with 'tender,' or 'gentle.' It's as if those words couldn't possibly speak to the reality of black females.
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I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'
I suggest that Black feminist thought consists of specialised knowledge created by African-American women which clarifies a standpoint of and for Black women. In other words, Black feminist thought encompasses theoretical interpretations of Black women's reality by those who live it.
Obviously, I'm not not black. But this is one thing I do know after years and years of working with a lot of black players and black commentators on many networks: That if you go to the place of you're telling a black man, or a black woman, that 'You should know your place and stay in it,' when you get to there, them's fighting words.
While I might not have a specific experience that is fully American, there is still a knowledge, something that I logically understand as a black woman and a black woman who is existing in America and a black woman who is in the diaspora that are just known quantities that I think anyone can relate to who is black.
'Smart Funny and Black' is basically a live black pop culture game show that I created. We have a live band. We have two contestants that we call 'blacksperts.' They come on stage and compete in games that I've created that test their knowledge of black culture, black history, and the black experience.
I'm admitting that I don't know that to be true, but it does sound pretty good. So a big part of my childhood was affecting black culture and black accents and black music and anything black I was into.
You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!
I did not disregard my culture, if I did, it was the white American culture, and I accepted my true culture, when I accepted Mohammed Ali, because this is a black name, Islam is the black man's religion, and so I would like to say, that I would like to clarify that point that I reclaimed my real culture, and that's being a black man and wearing a black name with a black body, and not a white name, so I would never say that I didn't disown my culture.
I was raised in a completely black world. In those days, if a white woman married a black man, she lived as a black woman, and that was just the end of it. So, I don't have a feeling of being bi-racial. I don't have a connection to it. People often come up to me thinking I do have a connection to it, and I kind of let them down because I really don't.
Increasingly independent black economic, cultural and political power gave Blacks more freedom to do what came natural to them. Divorced from White influence and culture, they reverted quickly to their genotype - increasingly typical of black societies around the world. Males exhibited exaggerated sexual aggression and promiscuity that led to the dissolution of the Black nuclear family in America. Females reverted to the age-old African model of maternal provisioning of children.
The Black female is assaulted in her tender years by all those common forces of nature at the same time she is caught in the tripartite crossfire of masculine prejudice, white illogical hate and Black lack of power.
'Smart, Funny and Black' is about celebrating, critiquing and learning about black culture, black history, and the black experience.
I always love where I can plug a black woman in anywhere, and when that comes up, I don't say, 'Oh that has to be a black woman.' I say, 'Why not a black woman?'
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters.
For a black person who's Senegalese, growing up in France, or a New York Jamaican, that's a completely different relationship with being black and how you might be accepted in that culture or that world. Everyone's experience is different. Especially black women and black men.
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