A Quote by Bella Freud

What I like doing is imagery that can be interpreted in any particular way by the person who wears it. — © Bella Freud
What I like doing is imagery that can be interpreted in any particular way by the person who wears it.
The best thing about being immensely wealthy is not having to be in any particular place at any particular time doing a particular task you don't want to do.
I just think that there is something that keeps us together, to keep doing what we're doing. I can't really put my finger on it other than each record is like a little snapshot of my life at that particular moment, the way I play, the way I sound, the way I wrote, the way I sing, I can hear it.
I'm not going to be told that I shouldn't be doing anything, or behaving in any particular way at any age of my life.
There's going to be government and politics that aren't representative of everyone. So, we have to really take it by a person by person basis, we can't just say, "hey, this guy looks like this," or "he's that religion" or "he wears this kind of clothes," "your skin tone is this way."
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
It's also reflective of a young person's religion or faith in that it's highly charged with sacramental imagery and with country imagery, because I was in the seminary for so many years in the country.
I'm not running from any particular problems, I just want to take some time and figure out in my life where I can keep doing what I'm doing but in a way that I can also honor what I want to do for myself.
A company has to be like that person who turns his cuffs up a different way, who smokes a certain brand of cigarette, who wears an obscure vintage watch.
When an idea is important to a person or culture it will find its way into imagery.
I do not see in what way the face of a man should be a less interesting landscape than any other. A man, the physical person of a man, is a little world, like any other a country, with its towns, and suburbs.. ..As a rule what is needed in a portrait is a great deal of the general, and very little of the particular.
Hopefully the person I'm trying to create is just a funny, dour, evil side of myself that has no other way to express itself. I don't model it after anyone in particular. Who would be like that? Who? I wouldn't want to meet that person. I wouldn't want to be interviewed by that person, I can tell you that.
If we do not mean that God is male when we use masculine pronouns and imagery, then why should there be any objections to using female imagery and pronouns as well?
If we do no mean that God is male when we use masculine pronouns and imagery, then why should there be any objections to using female imagery and pronouns as well?
I don't carry myself as a black person but as a woman that belongs to everybody. After all, it's the general public that made me - not any one particular group. So I don't think of myself as belonging to any particular group and never have.
I like doing everything. That's why I came to Pixar, as opposed to Disney or any other studio - it's small. At the time I started, I was, like, the 10th person in the animation group, and we all had to do everything. That's the way I like it, keeping it fresh.
Gardeners (or just plain simple writers who write about the garden) always have something they like intensely and in particular, right at the moment you engage them in the reality of the borders they cultivate, the space in the garden they occupy at any moment, they like in particular this, or they like in particular that.
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