A Quote by Bella Heathcote
I kind of liked all the creeping stuff [in Fifty Shades Darker], like when they're sleeping and there's me just standing behind the bed. It was great.
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Physically stalking as opposed to Instagram stalking, which was kind of great. Leila [from Fifty Shades Darker ] puts my Insta stalking into perspective.
I think the thriller aspect of this film [Fifty Shades Darker] is what excited me most.
I slept in Uday Hussein's bed - that was just so strange. Went to Saddam's palace, was in a mortar attack - crazy stuff. And like three days later you're back in traffic on Sunset Boulevard. It's all kind of behind you, which is kind of perfect for a guy like me because I can take that and turn it into quite the tale.
I'm just a psycho myself. I loved playing Leila [from Fifty Shades Darker], taking on [a character] who's completely unhinged. I saw her as a girl who's grief-stricken and she just doesn't have the tools to cope. Grief and heartbreak, it makes you do some pretty crazy things.
I don't think [Fifty Shades of Grey is] a model for anything. Except maybe in bed.
I never liked sleeping in the dark. I have, like, twinkle stars around my bed, so it's not so bad.
[Fifty Shades Darker director] James Foley directed Fear. And that's what I love about this film, because it has a real sexy thriller element about it.
The Green Arrow stuff that I've responded to from the past is the Mike Grell stuff. I've liked a lot of other stuff, but I think for me, the direction and the mood and the tone that I really want is something much darker and more aggressive and really fast-paced action.
Sleep is one of the great pleasures of life. Designing my bed linen line seemed like a natural progression for me. Everyone loves getting into a bed made up with beautiful linen. I love sewing, I love fabrics, and I love sleeping.
I couldn’t help but think about school and everything else ending. I liked standing just outside the couches and watching them—it was a kind of sad I didn’t mind, and so I just listened, letting all the happiness and the sadness of this ending swirl around in me, each sharpening the other. For the longest time, it felt kind of like my chest was cracking open, but not precisely in an unpleasant way.
From what I hear, [ "Fifty Shades of Grey" ] is not a way that I feel like I need to be turned on or like a hole that needs to be filled in me.
So I'm more at home with my backpack, sleeping in a hotel room or on a bus or on an airplane, than I am necessarily on a bed. It's weird being here. It feels like I'm standing next to my real life.
[Christian from the Fifty Shades Darker] is definitely a good person. I mean, he's flawed like all of us, you know? And I guess all of his wounds or his trauma, he acts out sexually. Which is pretty normal. People have different wounds, people act different things out.
I don't like waking up. I feel like staying in bed usually, but I can't because I've got two kids standing next to my bed, just eager to live another day.
We're living in a world where [Judy Blume] books were ever banned, and now like "Fifty Shades of Grey" is being read in high schools. Like it's just a wild.
I'm obsessed with great endings and crazy intros and stuff like that. I think we all are from what we've listened to and stuff, so I've always focused on great bridge melodies that just kind of naturally fit, or like a crazy ending at the end of 'Seize the Day,' something like that.
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