A Quote by Bella Heathcote
All the photographers were trying to just get me off, which was hilarious. But it was very, very amusing.
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Tessa, surprising herself, let out a gasp of laughter. Will looked at her, his mouth just beginning to quirk up in a grin. "I must be more amusing than I thought. Which would make me very amusing indeed.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
I'm both kinds of a person; I have a side of me that's very light and very optimistic and finds everything surreal and hilarious, and then I have a side of me that's - I don't know what the right word is - tormented or just feels very overwhelmed.
My father was quite an attractive guy. He was very intelligent and very amusing. I didn't like him. He was always very nice to me but I just didn't like him.
Human nature is rarely so amusing as when trying to get a house off its hands. Women at this task can be untruthful enough, but their untruth lacks the infusion of candor which a skillful male liar can introduce.
I've always been a singer-songwriter - it started off with me and the guitar, just writing songs, they were very simple. When I got in the studio it took me probably three years to get where I am now - being open to experimenting with new songs, being comfortable with where the songs were headed. I'm happy with where they are because they feel very genuine and authentically who I am.
When you see pictures of Gordie even at 50, you could see he was just a powerful man. You see Patty Marleau and he's built too. He's very durable because he's so strong, very flexible, but ultimately he puts in the work during the offseason. He doesn't take a day off and he's always trying to get better. He never takes a second off.
I think everyone really wants to just be happy and live the life that they want to live. But they come up against all of these obstacles and sometimes the way that react we react to that can be very hilarious. To me. It's hilarious and laughable.
I looked around at what my colleagues were doing, and asked myself, 'What relationship has it with what's going on?' I found there was a great distortion of contemporary life. Photographers were interested only in certain things. A visually interesting place, people who were either very rich or very poor, and nostalgia.
We were a very funny family. Humour was the tool with which my brother and I tried to get attention. We were always trying to be the funniest.
Honestly, the angrier I am, the looser my tongue is... when I get angry, it's just a motor mouth, and it just goes off, which is great, but it doesn't really work unless I'm very, very passionate about what I'm talking about.
It makes me very, very happy to get someone a world title shot, which I've done with a few fighters, or a European title shot or a British title, and I see them lift that belt above their waist and they come to me and say 'Thanks Ricky. I've just paid my mortgage off with that.' That's what its all about.
When I was making films [early in my career] there were very, very few female directors, and there were certainly no women on set, which made taking one's clothes off all the more difficult.
When I went off to college, I was expecting to be a concert musician. In music school I heard all of these kids who were just unbelievable. And I understand that you can be very, very good, but there's something that separates very, very good from great, and I knew that I wasn't great.
The animators are fantastic though. They'll shoot their own reference material, and just go into the car park or something. And they might shoot a very funny scene, or sometimes a serious scene. But they're really just trying to work out the motion. Yet what we get treated to is hilarious video of someone running around a parking lot with a broomstick and a helmet!
I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stupid.
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