A Quote by Bella Poarch
I wanted my first song to have a good meaning to it and to help a lot of people just to be more confident about themselves.
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I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.
A lot of my fans wanted a kind of 'in your face' song. They wanted a song that exemplifies me overcoming the situation I was in and just that triumphant kind of song. So, I felt like I wanted to go ahead and get that out of both of our systems with 'Good Woman'.
'Something More' is a song that I wrote not necessarily about country radio, more so about a lot of songs that were being pitched to me. I wrote that after song after song after song was just the same song, just a different melody, so I was just looking for something more to put on the record.
In hip hop, it's a lot more about lacing a hot track. I start it, I help mix it, I help write it, I help produce it, I cut the person's vocals. I'm involved from the beginning to the end of a song. I'm not just giving someone a beat, you know?
I think it's good if a song has more than one meaning. Maybe that kind of song can reach far more people.
I've always gotten like, "you're a queen"' or "yes motha." And "you're beautiful" and a lot of people are saying that because I am confident, and they are finding themselves to be more confident. Especially when you meet them in person.
A lot of the characters I play seem to be lying to themselves in some way. They maybe present themselves as confident or good at something, but in reality, it's clear that they don't know what they're talking about.
If I was to direct a movie about a super-confident guy, first of all I would hate that character. I can do a super-confident guy who crashes and burns and has to rebuild himself as somebody humble. But a super-confident guy that just gets more confident and gets the girl and the money and more success? That's not interesting.
Everything has a sort of double meaning for me, there's the ordinary everyday meaning of things, and the imaginary meaning about it all, and I wanted to bring these things together, and in this first big Resurrection of mine you have a good example of this sort of thing.
From 1940 to about 1960, I had been writing just regular comics, the way my publishers wanted me too. He didn't want me to use words of more than two syllables if I could help it. He didn't want me to waste time on worrying about good dialogue or characterization. Just give me a lot of action, lot of fight scenes.
I don't play a lot of instruments so when it comes to the song writing process I don't have a lot to do with that. A lot of times it's just acoustic guitar and a small riff that produces a song. Ultimately you want to write a song that people are going to enjoy and that you love to play, most importantly you have to write it for yourself first.
If there's a lot of fear that's going on, if there's a lot of anxiety, it's manifesting itself in your nocturnal world so that analyzing it can help open up basically thoughts about what you need to do during the day. So a lot of people who subscribe to the psychoanalysis, the Jungian thought will really focus a lot on dreams, the meaning, and how it can be used to help you during the day.
When I first heard that song, it was a ballad but it had a lot more. It felt like a gospel song when I first heard it and it just moved me.
Everyone was saved once by music. So I decided to REALLY work on my songs and not just "play" - to make something really good, more "professional." Something which makes you feel better; a song who says: "I know how much you're sad, and you're not alone, this is a song made for you." I really wanted to help with my music.
I wasn't the most confident of cooks, but I just persevered, and I wanted to learn, and I wanted to be a sponge, and I wanted to be better than the next person, and I wanted to learn as much as I could, so I just kept pushing, and it took me a long time actually to be confident in my technique and my ability as a cook.
I am very proud of this work because it is more about the meaning of the Easter Rising and its relationship to what this whole century has been about, people liberating themselves, freeing themselves.
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