A Quote by Bella Thorne

We have disappointments all the time in the business, and I've lost way more projects than I've booked. I've learned from every opportunity and have been chosen for some really great projects!
I've been very lucky to have been chosen for and to have chosen roles that are good. Some are better than others and some projects are better than others, whether it's female or male characters. There's still more that we can do and there's still more stories to be told. I would love to see more female-driven projects in general.
My projects have typically taken a long time to complete. Buildings might take on average about five to seven years to finish, but in my case it's been longer, because the projects I have accepted within the past 15 years have been mostly government projects, and those involve some politics and funding issues, and approvals and so forth. So they're slower.
Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
I learned to focus my energy on high-quality, long-term projects rather than lower-quality projects with quicker payoffs.
I think that distance is good for some people for certain projects. I mean this is sort of a dynamic question. Some projects require more distance than others, some don't require it at all. Sometimes you need it and sometimes you don't.
The truth is, anyone can start projects. The world is full of just-started projects that looked great at the time but were never completed.
Some types of environmental restoration projects are well-known; restored wetlands, for instance, or coal mine reclamation projects. Recently though, larger dam removal projects have started, a number of them in Washington state.
We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.
I really realized how much happier I am when I'm doing projects that I'm chosen to do, and on the flip side, how much unhappier I am on projects that make me feel uncomfortable.
We have been spending beyond our means, we are going to focus on the projects that we committed to in the election but importantly if there is additional projects or new things that come up they have to have a business case, they have to work and they can't impose financial stress on families and private individuals and businesses.
I really want to be associated with great projects and character driven projects and films. I have to feed my soul, and keep feeling like an artist and keep being challenged.
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
The projects that I end up doing, that I want to be involved with in any way, have always been projects that will be impactful, for the most part, to my people - to black people.
Material comes all kinds of ways, and it's never a question of a lack of material or a lack of projects - I have tons of projects. The issue is to convince someone to give you the money. And it's a very different business than it was just 8 years ago.
I've definitely enjoyed myself more on the projects where I've played a good person, rather than on the projects where I've played somebody who is morally compromised.
I've been taking my time now between projects looking for stuff that has a little bit more substance, that isn't surface. Some of the films that I've done in the past really were surface.
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