A Quote by Belly

I as an artist, as an individual, I have a certain affect on people. — © Belly
I as an artist, as an individual, I have a certain affect on people.
I always worked as an individual artist even when Group Material asked me to join the group. There are certain things that I can do by myself that I would never be able to do with Group Material. First of all, they are a totally democratic entity and although you learn a lot from it, and it's very moving, it's very exacting, everything has to be by consensus, which is the beauty of it, but it is much more work. It's worth it 100%. But as an individual artist there are certain things that I want to bring out and express, and the collaborative practice is not conducive to that.
Our choices at all levels-individual, community, corporate and government-affect nature. And they affect us.
The artist must operate on the assumption that the public consists in the highest order of individual; that he is civilized, cultured, and highly sensitive both to emotional and intellectual contexts. And while the whole public most certainly does not consist in that sort of individual, still the tendency of art is to create such a public - to lift the level of perceptivity, to increase and enrich the average individual's store of values... I believe that it is in a certain devotion to concepts of truth that we discover values.
I'm not a politician, but ISIS is a problem, and this matter should be solved very quickly. This will affect existing production, it will affect investment, it will affect the behaviour of people. It will affect the area tremendously.
I think anytime you can affect people in general, in a positive way, then you're a lucky individual.
To call yourself a Chinese artist or woman artist or African artist reflects a certain kind of condition. To me, that is not necessary.
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
I'm for the individual as opposed to the corporation. The way it is the individual is the underdog, and with all the things a corporation has going for them the individual comes out banged on her head. The artist is nothing. It's really tragic.
Propaganda tries first of all to create conditioned reflexes in the individual so that certain words, signs, or symbols, even certain persons or facts, provoke unfailing reactions...The important thing is that when the time is ripe, the individual can be thrown into action by the utilization of the psychological levers that have been set up.
Now that sports science is more advanced, we know that there are so many off-pitch factors that can affect how good you can become. If people are telling you to sleep a certain number of hours, eat specific foods, and drink a certain volume of fluids, then you have to be prepared to listen and learn.
The form of government that is most suitable to the artist is no government at all. ... One might point out how the Renaissance was great, because it sought to solve no social problem, and busied itself not about such things, but suffered the individual to develop freely, beautifully, and naturally, and so had great and individual artists, and great, individual men. One might point out how Louis XIV, by creating the modern state, destroyed the individualism of the artist.
Nobody would deny that if someone was a billionaire in 1962, his billions are going to affect all of his descendants. The reverse is also true. The lack of education, material, and finances for a slave are going to affect the descendants of that individual as well.
It's easy to attack an artist as misogynist, but that's really such a facile epithet. And if an artist is constantly worrying about how others will judge a work, it can end up being a block to investigating certain areas of human nature or certain truths about sexuality.
When you're from the East Coast or you're from the South, people expect you to sound a certain way. So if you don't sound that way, people won't label you as that type of artist. For me, I had a whole new lane to create for myself being from Pittsburgh and being a Midwest artist.
Every artist knows that there is no such thing as "freedom" in art. The first thing an artist does when he begins a new work is to lay down the barriers and limitations; he decides upon a certain composition, a certain key, a certain relation of creatures or objects to each other. He is never free, and the more splendid his imagination, the more intense his feeling, the farther he goes from general truth and general emotion.
If I do, I say so. That's the only way out of that. If there are three words that need to be used more in American journalism, commentary, politics, personal life... it's the magic words "I don't know." I mean, there are certain basic principles, like the dignity of the individual and the individual's responsibility, and certain basic economic principles, like how when something costs less, more of it will be consumed... There are certain things that I feel pretty confident about.
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