A Quote by Ben Aaronovitch

My dad was a fairy," said Zach. "And by that I don't mean he dressed well and enjoyed musical theatre. — © Ben Aaronovitch
My dad was a fairy," said Zach. "And by that I don't mean he dressed well and enjoyed musical theatre.
I started off doing stuff in theatre in Letterkenny from quite a young age. It was just a hobby, something I enjoyed. Some kids like tennis or guitar. I just enjoyed musical theatre so my parents got me into classes.
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
Writing is a kind of performing art, and I can't sit down to write unless I'm dressed. I don't mean dressed in a suit, but dressed well and comfortably and I have to be shaved and bathed.
I tried theatre. I played Miss Hannigan for a short run of Annie at a regional theatre. That was fun. I enjoyed it! I enjoy theatre and have so much respect for theatre actors.
I came to musical theatre from straight acting, and a lot of my friends have a real prejudice about musical theatre - one I probably shared.
Musical theatre goes through cycles. I came in when it was at the absolute height of musical theatre as I remember it. It was the age of the long-runners.
I was Danny Zuko in 'Grease,' and I was in the musical 'Sweet Charity' and then in the musical 'On the Twentieth Century.' They were great. I mean, singing isn't really my strong suit, but I just really enjoyed it.
Is Joe your father, Zach?' I don't know where the question came from, but it was out, and I couldn't take it back even if I'd wanted to. 'No.' Zach shook his head. 'I never knew my dad. I don't know anything about him.
I didn't go to drama school to be a musical theatre performer. I enjoyed it, but I didn't go to do that; I went to be an actor.
Incognito mode? What do they have to hide? Zach Braff doesn't have anything to hide - Zach Braff lays it all out there for everybody to see. That is Zach Braff's secret to Zach Braff's success.
It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.
I used to do puppet theatre and also mime and musical theatre in Florida for competitions and festivals, which was great. I was very much involved in theatre when I was in college.
I am in musical theatre, but it isn't necessarily what I listen to in my leisure time, do you know what I mean?
When people ask me if musical theatre should be taught in music colleges, I reply that there is no need. All anyone needs to study is the second act of La Boheme because it is the most tightly constructed piece of musical theatre that there is. It is practically director-proof: you can't stage it badly because it just works too well. If you can write La Boheme, you can write anything. I would also recommend studying Britten's Peter Grimes.
Opera is musical theatre, and the music can teach you so much about the theatre. Very often I use musical terms to think about how I comport myself on stage: I employ 'rubati,' 'ostinati,' 'cadenze.' Finding these parallels is very fascinating for me.
I'm a huge fan of Zach's [Galifianakis] and I auditioned Zach a million years ago on a movie called Duplex which I was fired from. But Zach came in - It was like 2000, maybe - as a buddy stand-up that people were starting to notice and there was something about him I loved. He wasn't quite right for the part in [Keeping Up with the Joneses] and I got fired anyway, so who cares? But I always wanted to work with Zach.
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