A Quote by Ben Affleck
I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
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I play-acted and started performing, which just logically led to doing it in school, which led to studying it in college, which led to auditioning to the showcase in New York. And then I had an agent, and I was an actress.
I started out a die-hard New Yorker but really grew to love working in Los Angeles. Even though I originally wanted to do theater, TV presented more opportunities for me, which led me out west.
In 1996 I was working on a play in New Orleans, and they needed a drag queen. I offered to play the role. That led to guest appearances at bars, which led to regular appearances at bars, which led to hosting. I eventually started working six days a week in bars before moving to N.Y.C.
Always had a passion for acting since I could remember, but I started when I was ten going for short film and commercial auditions in Los Angeles with my mom's help!
I was trained at classical piano as a youngster back in PA. To rebel, I bought a drum set and played in some rock & roll bands. In college I picked up a guitar and became obsessed with practicing which led to playing guitar in indie rock bands in the mid 90's. Which led me to Los Angeles.
I have a special place in my heart for New York City. I spent my early childhood there before moving to Los Angeles.
You can get stuff done in New York that you can't in Los Angeles. If you wanted to get some milk and get your shoes repaired and drop something off at the dry cleaner, that's an all-day adventure in Los Angeles. In New York, you can bang that out in half an hour.
When its 100 degrees in New York, it's 72 in Los Angeles. When its 30 degrees in New York, in Los Angeles it's still 72. However, there are 6 million interesting people in New York, and only 72 in Los Angeles.
I think... I love Los Angeles. I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
I'm not really sure if I have anything that inspires me. I think what goes into my work is everything beforehand that I do with my dad. He teaches me acting, and I think maybe without him it would be pretty hard. I started acting for fun, really, because my dad's an actor and my sister's an actor, so I started doing it and it was normal. But it got places really fast, and I started doing feature film auditions and stuff.
People recognize me wherever I go, where it used to be just New York. I guess people who aren't even baseball fans watch the World Series. I was driving down the freeway in Los Angeles over the winter and a guy pulled up next to me and gave me the finger.
I have done some formal acting training, because I sucked at acting when I first got to Los Angeles. I'm still one of the worst actors and auditions out there.
I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.
I eventually became an actor, starting with doing stand-up comedy in New York and then theater wherever they would let me. Finally, I moved out here to Los Angeles and got on a show.
That worried me early on in my career - that I would change. If I went to New York or Los Angeles that I would become somebody I wouldn't like. That person that gets a big head and starts thinking they're more special than anyone else. I never wanted to be that person.
Monty Python only became valuable when it was sold to Public Broadcasting Service (PBS) in America. They didn't pay much either, but the series has been shown repeatedly, which led to lucrative tapes, CDs and DVDs.
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