A Quote by Ben Askren
If I'm coaching at my academy, and we were drilling the front headlock, we don't just say, 'OK, now go five-minute goes,' because how many tries are they gonna get at going at the front headlock position?
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If I want a kid to be good at a front headlock - which, if you're gonna wrestle at a high level, you need a good front headlock - I'm gonna put him in there 50 times in that practice.
Since retiring, there's only been one time I actually dreamed about wrestling. In my dream, I was wrestling against Kurt Angle. I had him clamped in a headlock. I was breathing hard, and I remember telling myself, 'This is only a dream. It's not real.' But the longer I held Kurt in a headlock, I started to believe it was real.
The game has changed since the '80s, where you could punch and kick and headlock and do one suplex, and that's a 25 minute match.
How many times have I failed before? How many times have I stood here like this, in front of my own image, in front of my own person, trying to convince him not to be scared, to go on, to get out of this rut? How many times before I finally convince myself, how many private, erasable deaths will I need to die, how may self-murders is it going to take, how many times will I have to destroy myself before I learn, before I understand?
I always tell women, "Get in front of a mirror, know your body." Don't think, "OK, I'm going to lose five pounds and I'm going to gain five pounds." Try to find an acceptance in the present and buy things that make you feel good. I would say, if you're buying less expensive clothes, buy two sizes bigger. They'll hang better.
As for language, almost everything goes now. That is not to say that verbal taboos have disappeared, but merely that they have shifted somewhat. In my youth, for example, there were certain words you couldn't say in front of a girl; now you can say them, but you can't say 'girl'.
I'm always going to hear people make that connection and I've just accepted it. It's alright. I'm just happy that I get to do my own thing now. I learned a lot from the show [the Voice] as far as being in the TV world and being in front of the camera, which is really great because I'm not as nervous in front of the camera as I was before.
So I made an outline. Well, you know, days are going by, and I am not writing anything because this thing is laid out in front of me. It's as if you get every brochure for a trip you are going to go on and you get the minutest details of every step along the way. Well, I really doubt you're going to then get in the car and go. You know, it's like, why bother if it's all laid out in front of you?
In football, when I break the line of scrimmage, I see a player in front of me, a defender, and already in my head I'm thinking, 'I'm going to make him miss.' So I'm already looking at the next defender like, 'OK, how can I set this guy up to get him out of position, too?'
As a book editor, you need to pitch every one of your books again and again, dozens of times, for months on end. From a quick conversation with your boss or a letter that'll be read by just one person, to a five-minute speech in front of 50 colleagues or cover copy that'll be in front of millions of eyes.
I'm really bad at doing my hair, so the front always looks a little bit off. I think that the front is the most important in terms of the whole look. So, because the front layers just get awkward sometimes, I feel like I have to clip them back.
I could legitimately put someone in a headlock, for sure.
It didn't take long for the anger to put the happiness in a headlock.
The greatest thing about a coaching position is this: You just worry about the day in front of you.
No liberal newspaper ever talked about the invasion of Vietnam; they talked about the defense of Vietnam. And then they were saying, "well, it's not going well." Ok, that make them liberal. It's like, it's if we were to say, that going back to, say, Nazi Germany, that Hitler's general staff was liberal after Stalingrad because they were criticizing his tactics: "It was a mistake to fight a two front war, we should've knocked off Englad first," or something.
It just gives us that adrenaline charge when we go on. We know we're gonna come off two hours later, but we're pushing it all the way; we build it right through. It's amazing how it happens. It's sort of magical, because you couldn't do it in a rehearsal like that; you need that audience in front, and that's really what gets us going.
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