A Quote by Ben Barnes
That's the thing, when you play younger characters they're always less casual. You're hungrier or more naive. Those things wane in time.
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I think a handful of the roles that I've gotten to play are characters whom I've lived that are like younger versions of me but who are maybe more naive and a little bit wilder than when I was. And I've gotten to play 16 and 17 when I was a little bit older, so I got to pull from experience.
I think as you get older, you find you can play more things because you're moving to a different category. You play a certain thing as a younger man, playing action roles like I did. Then I moved out, and I kept trying to do different things all the time.
There will always be competition, especially in showbiz. There's always someone younger and hungrier standing behind you; there's always someone with more contacts; there's always someone whose grandfather or father is a filmmaker. I think your job is just to be there 100% - you work hard, and there are no shortcuts to success.
I'm less worried about accomplishment - as younger people always can't help but be - and more concerned with spending my time well, spending time with my family, and reading, learning things.
Characters that are not the norm or a bit out of the ordinary are always a challenge as an actress. You learn more by using different tools for those type of characters. They are always much more fun to play and much more interesting. They take you places that you wouldn't necessarily go in your everyday life.
When you're younger, you worry about the sack and getting abuse and things, but when you get to my age, you become less bothered about those things. It becomes more like a hobby and less like life or death.
the older I am, the more I refuse to treat my work as therapy and the more I think it's less honest to do that, less about acting. When I was younger, I sometimes used personal things in creating characters, to the point where I thought maybe it was a little bit dangerous - at least for me. But I don't feel that somebody can only be good in a character if they are really becoming that person or really suffering.
I always play outsiders. I think I'm carrying a lot of those characters and I wonder if I play them because those characters need an extra element of thought to bring them to life.
I just think of interesting roles to play. I guess that I have matured, I guess growing up and becoming a man, your taste in characters changes and I think I have become more interested in active characters as I have become less contemplative in my personal life. Things have become a little bit more interesting in the doing these days and less interesting in the thinking about the doing.
The supporting characters typically carry less story/plot weight - so you can be more broad and pushed with them. Supporting characters also take up less of the film's screen time. A short is a great opportunity for supporting characters to shine.
When I was younger, I was kind of fearless. I think it takes more courage to do things when you know more. I was completely naive, and I was like, 'Why can't I do anything I want to do?'
As time has gone on I've felt less and less need to play too many notes. That's something you do when you're younger, you play far too much and too fast.
If you look at the ecosystem, entrepreneurs as a class have gotten younger, younger, and younger. They also as a class have become less and less and less experienced. The good part about that is that you're unlocking this ability to start a company to so many more people. That's an amazing positive. The negative is they're coming to that job with dramatically less experience than they've ever had. So there needs to be someone around the table that can then help them.
If you have less games, less back-to-backs, the product's better. The fans will appreciate it more. You see those college guys playing so hard, but they play 36 games in the same amount of time we play 82 almost.
As you get older you don't want to just do the same thing, otherwise there's not much point. I think it's more or less trying to write things that, perhaps, say more by doing
less, or you're always trying to refine things, make things a little simpler, a little more essential.
I think it's interesting playing characters who are flawed and make mistakes because we all have - no one's just one thing - no one is just bad or just good - so I like finding flawed characters and playing with their redeeming qualities, whether you play it outwardly or not. I think that one of the reasons I'm an actor is that I love people and I love finding out who they are and why they do the things they do, so it is fun to play those kinds of characters.
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