A Quote by Ben Barnes
When you're doing a film, people are always telling you exactly what to do. Literally, your own decisions are taken away from you.
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I think the tools were always available, for decades and decades, to make your own film and be creative. I don't think people had to wait for YouTube to do this type of small project. YouTube, I think it's great. I have this idiotic satisfaction. And I think there's a bit of that in YouTube. You share, true, but it's centralized, and it's already sort of controlled. I'm more for something that's not a centralized medium. Like doing your own film and screening it yourself. You cannot control people doing that.
I always draw from things around me that people around me have gone through... The story that could be taken really literally is not from my life exactly. But bits and pieces are, and the sentiment behind it is.
I have always taken my own decisions.
You know, you always want to just do your own thing - I mean some people want to be exactly like their parents - Ibut I wanted to do my own thing and I ended up doing a kind of mix of my mom and dad.
You can see in my paintings, I've taken away the context, I've taken away the shadows, I've taken away expression, I've taken away the personal, and yet so much remains!
I never make a distinction between doing a film in Hollywood or doing a film independently. It's just the story. It's always the story for me. The constants are that it should challenge me and I shouldn't repeat myself. And the story should always be a story worth telling.
I remembered some people who lived across the street from our home as we were being taken away. When I was a teenager, I had many after-dinner conversations with my father about our internment. He told me that after we were taken away, they came to our house and took everything. We were literally stripped clean.
Everybody grows up and they have to make decisions, and they try and make the best decisions that they know how to. It's taken them their whole lives to finally step out and start making their own decisions.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
I think when people begin to tell their stories, everything changes, because not only are you legitimized in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.
I think when people begin to tell their stories, everything changes, because not only are you legitimised in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.
You have to let individuals make their own choices and respect that, even if it's your own child. And that's what was taken away from me. My father passed away thinking I still had to go back to his way of believing.
I feel like I gotta get out of myself sometimes. I think I'm in my own world sometimes. I don't like to let other people come into my own world. Especially with my teammates, my coaches, I should be doing that. The important people that need to know how I'm feeling. I can do a better job of telling them exactly how I feel.
It's very important that people realize: the air is being taken away, the oceans are being taken away, the room is being taken away, but we're so worried about gas prices that we don't even see this stuff.
You have to accept the fact that not all your decisions are going to be right - and when they are wrong, you have to own it right away. I try not to have an emotional connection or investment in the decisions I make so that when they need to change, I can quickly move on to: 'How do we fix this?'
There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.
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