A Quote by Ben Dolnick

Beginning in middle school, the era of wide-margined, Bible-paged anthologies, short stories develop unpromising associations - and these associations often linger through college, when stories become the things distributed in Xeroxes missing entire pages of line-endings.
We have associations to things. We have, you know, we have associations to tables and to - and to dogs and to cats and to Harvard professors, and that's the way the mind works. It's an association machine.
I get tired of stories that keep going and going and never get anywhere. It's like a promise that's never fulfilled. Stories need endings. Otherwise, they aren't really stories. Just pages.
We're missing a lot of the real-life stories of what people's work looks like. Those are the people that I want sitting on the zoning board meetings, on the zoning commissions. Those are the people I want participating in business improvement in their own industry. The gentrification processes that often happen in cities so often manifest in street sweeps of sex workers. How do you get sex workers on neighborhood associations, regarded as members of the neighborhood?
I've been religiously reading the O. Henry Prize anthologies every year since college, when I first began trying to write stories. Many of the authors whose work I cherish the most were people I first learned about through The O. Henry Prize Stories - and then I'd go search for their books.
I'd usually read the Bible a lot. Read little short Bible stories. And today, whenever I give speeches, I bring up a few of those Bible stories, because those are inspirations to me.
[Jorge Luis Borges] had short stories, and I was trying to learn how to write short stories, and then he had these things in the middle that were like fables, and I loved hearing fables.
We are shaped by stories from the first moments of life, and even before. Stories tell us who we are, why we are here, and what will become of us. Whenever humans try to make sense of their experience, they create a story, and we use those stories to answer all the big questions of life. The stories come from everywhere--from family, church, school, and the culture at large. They so surround and inhabit us that we often don't recognize that they are stories at all, breathing them in and out as a fish breathes water.
There is no way that you can read the entire Bible seriously and take every word literally. Contradictions start in the first chapter of Genesis. There are two Creation stories, two stories of the making of Adam and Eve. And that is all right. The Bible is still true.
College is the reward for surviving high school. Most people have great fun stories from college and nightmare stories from high school.
There is a common theme, though, in the stories I have told, which are usually associations of characters or families that are formed outside of a family circle.
We've all heard stories about poker players grinding it out for two days straight. Believe me; I've got stories like that of my own. But the bottom line is that these stories usually don't have great endings. That's because the mind starts playing tricks after a marathon poker session, especially after a losing session.
Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.
You look at the Koran or the Bible, they all tell the same stories. You see them as the stories of the Middle East. The stories reflect who these people were in the Middle East, and this is where Western culture came from. All our literature is basically influenced by these great myths. So I'm fascinated by it. You could almost say I'm obsessed with it. But if you're asking about the effect of religion on my life - almost everything I do is opposed to the practice of religion.
I am also working on a couple of short stories for anthologies. This is new to me and I'm enjoying it.
The language of the culture also reflects the stories of the culture. One word or simple phrasal labels often describe the story adequately enough in what we have termed culturally common stories. To some extent, the stories of a culture are observable by inspecting the vocabulary of that culture. Often entire stories are embodied in one very culture-specific word. The story words unique to a culture reveal cultural differences.
I'm interested in Native American and African American stories, and LGBTQ stories and stories of persons of mixed heritage. These are the stories I want to see onscreen and on the pages.
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