A Quote by Ben Dolnick

A short-story collection is harder to formulate pithy sentences about. — © Ben Dolnick
A short-story collection is harder to formulate pithy sentences about.
Pithy sentences are like sharp nails which force truth upon our memory.
I like to envision the creation of a short story collection as being like putting together a jazz album. Yes, there's logic and literary structures imposed by me, but at the same time, all the tracks are shaped and ordered in a much more improvisational manner. The guiding principle for me is whether or not a story adds a layer or texture to the overall collection.
In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
The rythms of typing favour short, concise sentences, sentences with oral form.
Quinn Cummings is a master story-teller and her book is nothing short of delightful. Her insights into topics like celebrity, parenting, and cats with a taste for homicide are pithy and uproarious and not to be missed. Notes from the Underwire is charming, hilarious, and just snarky enough to be ultimately satisfying.
I try to use short sentences, short paragraphs and short chapters to keep the reader's interest.
Jean Thompson's short-story collection 'Who Do You Love' is a beautiful book, but a hell of a sad one.
Usually at the end of each story we're thrown clear out of the story's world and then we're given a new world to enter. What's unique about a linked collection is that it can deliver both sets of narrative pleasures - the novel's long immersion into character-world and the story anthology's energetic (and mortal) brevity - the linked collection is unique in its ability to be both abrupt and longitudinal simultaneously.
Tom Kealey might be my favorite short story writer and this astonishing collection is long overdue.
A grave, wherever found, preaches a short and pithy sermon to the soul.
Writing simply means no dependent clauses, no dangling things, no flashbacks, and keeping the subject near the predicate. We throw in as many fresh words we can get away with. Simple, short sentences don't always work. You have to do tricks with pacing, alternate long sentences with short, to keep it vital and alive.... Virtually every page is a cliffhanger--you've got to force them to turn it."~
Always in the short story there is this sense of outlawed figures wandering about the fringes of society.... As a result there is in the short story at its most characteristic something we do not often find in the novel--an intense awareness of human loneliness.
'The Story Of A Marriage' was initially a short story I wrote, and before that, it was a family story. It was a story that a relative of mine told me about herself in the '50s, and it was a story that no one else in my family believes, and it might not be true.
The book that first made me want to be a writer is Flannery O'Connor's short story collection 'A Good Man Is Hard To Find.'
I have a book in the pipeline of short stories. You want to hear an agent scream, say 'I'm thinking about doing a collection of short stories set in the Ozarks.
I have a book in the pipeline of short stories. You want to hear an agent scream, say 'I'm thinking about doing a collection of short stories set in the Ozarks.'
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