A Quote by Ben Dolnick
For me, novel-writing, by its nature, contains months of feeling lost, gloomy, fatally misguided. The challenge has always been in assuring myself that by setting one foot in front of the other, I will eventually make my way out of the desert.
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I know the movies that I've liked, and I know the experience that they've given me, so the goal is always to try to create a movie that I would like myself and that would knock me out, challenge me or intrigue me in some way. That's been my criteria for figuring out what I want to do, or also when I'm writing something or creating a scene.
One of my desert island books, 'The Leopard' is not so much a novel as a eulogy for a way of life and a Sicily that was already lost by the time Giuseppe Tomasi di Lampedusa was writing.
At a young age, I really wanted to make music and make my own sort of thing. I'm sure if it wasn't music, it would have been writing, or it would have been maybe painting. I just always had the drive to try and make something with my hands and to just pull something out of myself and shape it and see it in front of me, if that makes any sense.
However, the difficulties and pleasures of the writing itself are similar for a novel with a historical setting and a novel with a contemporary setting, as far as I'm concerned.
Just put one foot in front of the other and don't worry about the length of the path. Once you get on that path, and the longer you stay on it, there eventually will come a time when you will not turn back.
When, in 1913, in a desperate attempt to rid art of the ballast of objectivity, I took refuge in the form of the square... the critics... sighed, "All that we loved has been lost. We are in a desert"... But the desert is filled with the spirit of non-objective feeling.
The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.
It's definitely been a conscious decision to seek out roles that are different, in any way, from anything that I've done, just to prove to myself that I can do it and to challenge myself. If I can, then great, it will open up those doors and just prove to other directors and peers that I am, in fact, available for things other than comedy.
When I gave up dope and alcohol, my immediate feeling was 'I've saved my life, but there'll be a price because I'll have nothing that buzzes me any more'. But I enjoyed my kids. My wife loved me and I loved her. And eventually the writing came back and I discovered that the writing was enough. Stupid thing is that probably it always had been.
In order to actually have a touchscreen in front of me and somehow still be connected to nature, I needed to be able to incorporate natural elements into the song structures. Because that's always been my song-writing accompaniment: nature.
You know I still get nervous speaking in front of people. Speaking reminds me of pitching in that way. No matter how much you prepare, there is always that anxiety to perform. Those butterflies. You learn to embrace that stress. Eventually you realize that stress is what pushes you to perform at your peak.... But man the roller coaster! I told myself that after my career was over I would live my life quietly, out of the public eye, with no chance of embarrassing myself in front of large groups of people. Yet...here I am!
Eventually the dollar won't always rule. Eventually there will be a challenge to the United States and it will have to be like other countries that are a bit concerned about their currency, and then have to ratchet back in order to - right, in order to sustain. We just haven't reached that point yet.
About writing I learned that always, always, always it's necessary to haunt your settings. I'm a big researcher. All my fiction is based on tons of digging. But the vital importance of actually traveling to the settings of a novel really hit me. And it's not just the setting details, not just the visuals and other sensory data, that will pop. You'll find surprising clues that swerve your story in whole new, deeper, surprising, more organic ways.
In the desert you become a discoverer. You discover your soul, which had been submerged in vain pursuits, which had been lost in the coils and toils of modern life. You discover your kinship with nature and man, which is evoked by the naturalness and the gentle humanity of the natives of the desert, and you will also discover God.
When I was writing my first novel, I smoked cigarettes. And when I think about what it was like to smoke, I remember exactly the feeling of sitting in front of my big old computer in that little room where I wrote my first novel.
I've always been able to fake my way into confidence. Sometimes I put my own fears aside to make sure I'm being of service to others. To clarify - hell yes, it was brave of me to step out in my lingerie for the commercial compaign, not because I'm plus-sized, but because I'm a human being. People get it confused. I'm brave because I'm not afraid of what people are going to say about me. It's not an easy thing to do, but it is something that I will always challenge myself to do. I don't want to be held back by my body because someone tells me I should.
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