A Quote by Ben Dolnick
'At Freddie's' takes place in 1960s London at the Temple Stage School for child actors. It has a plot that makes you feel sorry for the people who have to write summaries on the backs of books.
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As the daughter of a schoolteacher, I feel very strongly that the most important thing in school takes place right there in that classroom, and the interaction between the teacher and the child.
I'd finished the first two [books] and they were going to to be published, and [editor] said, "We need you to write a summary that will drive people to these books." And it took forever. I couldn't think of a thing to say. I looked at the back of other children's books that were full of giddy praise and corny rhetorical questions, you know, "Will she have a better time at summer camp than she thinks?" "How will she escape from the troll's dungeon?" All these terrible, terrible summaries of books, and I just couldn't.
I used to make fun of those actors who talked about the theater as their temple and their place of worship. I'm not to that degree of zealotry or idolatry of theater as this holy place. But it's a place where I get together with people who do what I do, and we understand each other in that respect.
Sorry means you feel the pulse of other people's pain as well as your own, and saying it means you take a share of it. And so it binds us together, makes us trodden and sodden as one another. Sorry is a lot of things. It's a hole refilled. A debt repaid. Sorry is the wake of misdeed. It's the crippling ripple of consequence. Sorry is sadness, just as knowing is sadness. Sorry is sometimes self-pity. But Sorry, really, is not about you. It's theirs to take or leave.
I really like London now. But probably, in the future, when I need to bring my child to the school and take up a school, when I finish my career, I'd prefer to come back to my country. It's normal. For me, I prefer the place I was born.
I feel sorry for people in power. I feel sorry for the Queen, in a way, that she hasn't had a normal life. It'd difficult for me to hate anyone. Immediately someone's unpopular, I feel sorry for them.
Even as a young child, I was a lover of books and of the spaces in which, as indeed in a sacred temple, books might safely reside.
You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
Let us truly be a temple-attending and a temple-loving people….Let us make the temple, with temple worship and temple covenants and temple marriage, our ultimate earthly goal and the supreme mortal experience.
My goal is to write books that are quality books with very real characters and a gripping plot.
So, as a child in school, I used to write essays on how I spent my holiday or about a visit to a temple. I used to document small things and enjoyed the process of writing even then.
I want the plot to be as complicated as possible. Usually I'll write all the way through to an end, and then I go back and try to fix the ending so that it makes sense. I don't think out the plot ahead of time.
I arrived in London and I was terrified. I never wanted to be a celebrity - one minute I was in school and the next I was in London talking to people at a record company. If anything, I didn't feel in any way worthy.
I think that books for young people should have serious and important themes, they shouldn't be trivial. So the books I write, they would be the kind of stories you would write in an adult novel only they just happen to feature a child at the center of them.
I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. The way I write is about life and is quite truthful, and there is a kind of brutal side to the relationship, and to the feelings, that makes it somewhat painful, but I think it's a very intense portrait of the relationship of two people. And a bit about what people feel like when they're alone, because it all takes place in one day, and during the day, they spend a lot of time alone in their different - you get to imagine what their fantasy lives are like.
People talk about books that write themselves, and it's a lie. Books don't write themselves. It takes thought and research and backache and notes and more time and more work than you'd believe.
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