A Quote by Ben Domenech

I think it`s a message of economic nationalism. It`s obviously one that has bubbled up before in certain pockets, but it`s never been the sort of powerful phenomenon that it is today.
Here is the difference, nationalism has a certain connotation in Europe, which is not necessarily positive, but I think in Asia, nationalism is seen very much as a sort of natural corollary to economic progress, almost like you're independent, you progress, you are prosperous and nationalism comes with all of that.
You could feel America starting to ease up a little bit on racism, against blacks in certain pockets, and then suddenly The Cosby Show bubbled up and it was the right time for it.
I'm not a big dreamer. I never have been.The only thing I've sort of obviously extracted from the research of dreams is that I don't think there's a specific science you can put on dream psychology. I think that it's up to, obviously, the individual. Obviously, we suppress things, emotions, things during the day - thoughts that we obviously haven't thought through enough, and in that state of sleep when our subconscious or mind just sort of randomly fires off different surreal story structures, and when we wake up we should pay attention to these things.
Thank God I've never had the sort of intense fame that means you can't walk up the road. That sort of blazing stardom must be difficult to cope with and maintain; my career has just bubbled along happily.
I think our failure as a caucus has been not to focus on economic issues. I think we - and I'm supportive of all the issues that - that we talk about, but you need an economic - a robust, economic message that - that covers everybody.
In view of the importance of philanthropy in our society, it is surprising that so little attention has been given to it by economic or social theorists. In economic theory, especially, the subject is almost completely ignored. This is not, I think, because economists regard mankind as basically selfish or even because economic man is supposed to act only in his self-interest; it is rather because economics has essentially grown up around the phenomenon of exchange and its theoretical structure rests heavily on this process.
The drive toward economic nationalism is only part of the general revival of nationalism.
Using a certain sort of message can attract people to that message, and that creates power that you can either use responsibly or not.
When I hear of nationalism in my country today from the youngsters, I want to sit them down and tell them that flags and songs are not nationalism. Stopping at the traffic signal, opening the door for a lady, doing something for your country is nationalism.
I grew up on the old EC comic books before the Comics Code in North American and with all sort of good-natured fun. I never had nightmares I think because all of the old horror stuff that I was exposed to was well meaning in a certain sense.
Men have always been a prey to distractions, which arethe original sins of the mind; but never before today has an attempt been made to organize and exploit distractions, to make of them, because of their economic importance, the core and vital center of human life, to idealize them as the highest manifestations of mental activity. Ours is an age of systematized irrelevances, and the imbecile within us has become one of the Titans, upon whose shoulders rests the weight of the social and economic system
I have, despite all disillusionment, never, never allowed myself to feel like giving up. This is my message today; it is not worthy of a human being to give up.
The Olympics are too powerful. I hate sports - they generate so much nationalism, sexism, homophobia, transphobia, racism, economic exploitation, displacement of communities to build worthless bankrupt stadiums.
There's no appreciation for the giants [of jazz]; there's never been a major film on Duke Ellington , never a major film on Louis Armstrong. What they accomplished, we could never accomplish today...What's happening now is lightweight compared to what happened before. If Louis Armstrong was alive today, he'd be a superstar. If Art Tatum was alive today, my god, all the piano players would get on their knees. So that's what's missing today; we've been cut off from our heritage.
I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.
Well I'm the Prince and I'm sort of slaying a dragon - which is something I've never done before, obviously.
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