A Quote by Ben E. King

A singer has got a different attitude, they're they're so whacked out they don't know what they're doing half the time. Singers, they don't, they're spoiled too.
Every good gospel singer you can hear is a scat singer; they're just using different syllables. There are a lot of jazz singers out there, and more coming out of the churches.
We call out-of-tune singers as 'Aurangazeb singers.' I wouldn't say I'm as bad as an 'Aurangazeb singer,' but I'm definitely no singer.
[The political mind] is a strange mixture of vanity and timidity, of an obsequious attitude at one time and a delusion of grandeurat another time. The political mind is the product of men in public life who have been twice spoiled. They have been spoiled with praise and they have been spoiled with abuse.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
My practice is to take a sheet, write the song number in the left side, name of the production, and time of recording. Only when I have to fill the name of the singer do we look out to see who is free. When the singers we want aren't there, I end up singing it! That's how I became a singer.
No. 1, Halliburton. Certainly, if they've overcharged they should be whacked and whacked good, but the idea that the vice president somehow is involved in this, whether they got contracts because of him, that's nonsense.
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
My favorite singers in the world have been black singers, and you can go to any church and hear the best singers in the world - and I'm a singer, and I love singing!
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
Speaking as somebody who's been in the drug scene, it's not something you can go on and on doing, you know. It's like drink, or anything, you've got to come to terms with it. You know, like too much food, or too much anything. You've got to get out of it. You're left with yourself all the time, whatever you do--you know, meditation, drugs or anything. But you've got to get down to your own god and your own temple in your head.
We all operate on different levels of awareness. Half the time I don't know what I'm doing.
Nobody knows I'm different. Or they may know, but they don't know how different and they don't know what this thing is that's driving me because I can't... this is... these are charges ... which I understand having got two children of my own and having had these mad thoughts myself that you know, I've got to get out there and do something. I don't know what it is, but it's got to be interesting.
I got about half the time I wanted to write poetry. I got about half the time I needed to be a father. So there is something in adulthood that has to do with accepting the half of things, allowing a renunciation of the other half, accepting half a basket instead of a full basket.
Looking at it half-full, there was only two singers in Motley, me and Vince, and I'm still here, 25 years later. And whether I like it or not, I'm the other singer for Motley Crue, and not to sound weird, but I've gotten a lot of extra mileage, I think, out of my career because of it, so I have nothing but positive things to say.
In the hierarchy of instruments, if you're a harpist, you're considered someone with a brain much more than if you're a singer. Even though singers, particularly singers who can play piano... If you go to the office of career development, you can get a gig much easier. Still, musicians tend to look down on you. I think they've got some nerve, because if they could sing, they would do it, but most of them can't.
Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.
This site uses cookies to ensure you get the best experience. More info...
Got it!