A Quote by Ben Eine
I love to paint and beautify the most unexpected of places - I've painted everything from doorways to trains but have always wanted to do something really huge and different.
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I had no intention of becoming a comedian. I just wanted to make people happy. I tried everything-I shucked oysters, I painted houses, I sold vacuum cleaners. But there was always a voice saying, You should be doing something different. And it was usually my boss and I was being fired.
I've always wanted to make a big apocalypse movie. I love 28 Weeks Later, I think it's great but Cell is totally different. It's about people's dependence on technology, the collapse of society and watching everything fall apart. That's something I've always wanted to do, which I believe it can!
I've always loved black, and I realized that, from the beginning, man went into completely dark caves to paint. They painted with black too. They could have painted with white because there were white stones all over the ground, but no, they chose to paint with black in the dark.
There are places that I've always wanted to go. First I went to Africa, and when I was there I realized there were places in Africa I really to wanted to visit: The Congo, West Africa, Mombassa. I wanted to see the deep, dark, outlandish places.
Love comes from the most unexpected places.
All pictures that's painted with sense and with thought / Are painted by madmen as sure as a groat; / For the greater the fool in the pencil more blest, / And when they are drunk they always paint best.
In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.
But the sound of water escaping from mill-dams, &c., willows, old rotten planks, slimy posts, and brickwork, I love such things. Shakespeare could make everything poetical; he tells us of poor Tom's haunts among "sheep cotes and mills." As long as I do paint, I shall never cease to paint such places. They have always been my delight.
Drama is the most difficult of all arts. In it two things are to be satisfied - first, the ears, and second, the eyes. To paint a scene, if one thing be painted, it is easy enough; but to paint different things and yet to keep up the central interest is very difficult. Another difficult thing is stage - management, that is, combining different things in such a manner as to keep the central interest intact.
I want to go to places that are unexpected of me, because people really think they have me pegged. I want to do something different, like maybe do a space movie or a musical.
I hate repetition. Even when I am home and have to buy milk, I go a different way each time to avoid having a habit of anything. Habits are really bad. So to me it is really important to live in what I call the spaces in-between. Bus stations, trains, taxis or waiting rooms in airports are the best places because you are open to destiny, you are open to everything and anything can happen.
I never really wanted to be, I don't want to say, an average engineer. I always wanted to do something different, something more exciting.
After Life Unexpected ended, I wanted to do something that was completely different from Lux and that show. I wanted to be able to keep my fans, but not have them confused about who I was or what my character was.
After 'Life Unexpected' ended, I wanted to do something that was completely different from Lux and that show. I wanted to be able to keep my fans, but not have them confused about who I was or what my character was.
Everything has such order and everyone is so focused on doing what they're doing that no one ever pays attention to you spinning and dancing around supermarkets. It's something you find in places like supermarkets and airports, where everything is really ordered. There's something about those places that makes you feel really anonymous.
I do believe that fundamental to any real hope is that we do need to reconstitute what has been generally handed out as the recipe for "happiness" for the human race, and what has generally been decided counts as "progress." People arrive at a different understanding of happiness, however fragile it is. They find it in unexpected ways, in the most unexpected of places.
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