A Quote by Ben Eine

An airplane cabin isn't the first place people think of when they choose an exhibition space, but I'm all for doing things differently. — © Ben Eine
An airplane cabin isn't the first place people think of when they choose an exhibition space, but I'm all for doing things differently.
I like that they call it an airplane cabin. A cabin is where you go to get away from stress. The cabin is a respite from the terminals on either end of the flight where noise bombards you as soon as you walk through the gate.
I was so impressed with the work we were doing and I was very involved ideologically in photography - that I arranged an exhibition at the College Art Association. The first exhibition I picked the photographs and so on and we had an exhibition in New York.
Every major press organization works out of its own little space in the White House. Picture a mini cruise-ship cabin, or a row of four seats on an airplane: that's about all the space we have. You spend hundreds of hours inches away from your colleagues.
’The Art of the Brick’ exhibition is accessible because it engages the child in all of us while simultaneously illuminating sophisticated and complex concepts. Everyone can relate to the medium since it is a toy that many children have at home. But my goal with this exhibition when it first debuted in 2007 was to elevate this simple plaything to a place it has never been before.
I don't know if people really care about my opinion on things or how I come up with things, and maybe that's an insecurity and why we're comedians in the first place, so I think with that you keep doing the material, you keep trying to be funny cause you think that's all you're wanted for.
The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.
Our goal is to tell people about the International Space Station. I think very rarely people look up 250 miles and think, What are those guys working on, what are those men and women doing at this moment... They're living and doing regular things, but also doing incredible work as well. We really want to bring that to people.
I didn't have an exhibition anywhere until I was 30. My first exhibition was at 30, and then for my first show in America, I'm 50. It's kind of all right: I'm just a slow burner.
When I was thinking of people for the Space Twins, I wanted people who were sort of space cadets in the first place. I consider myself to be one.
I do hear from people at my exhibition about seeing these things made from this toy from their childhood, and it brings them back. They'll go and buy a set of Lego from the gift shop because of that nostalgia and seeing it at the art exhibition.
It's rather clear that we've got to do something differently â€" and going into space and learning to utilize these resources, to think differently about ourselves, is vital right now.
When I think of a place of worship, I think of a place where one can sit and be reminded of all the things that are important outside our individual lives. To express spirituality, the architect has to think of the original material of architecture, space and light.
Coffee on an airplane always smells bad. Whenever it is served, suddenly the whole cabin stinks of it.
Coaching people, people act differently, respond differently, hear things differently from different people.
When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.
In 1959, Moscow gave space to an exhibition of American consumer goods, and my father, also a member of this generation, tasted Pepsi for the first time.
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