A Quote by Ben Eine
For me, it's mostly about having stuff on the street. You're walking down the street, you do it every day, and suddenly there's something that wasn't there yesterday: something bright and cheerful and different. It might stay there for a year; maybe it will disappear.
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When you walk down the street and see something in a crazy spot, there's something powerful about that. The street will always be an important part of getting art out there for me.
I don't know... Philly's a little different. It's a little bit more competitive. Everybody's got something to prove. In Atlanta, you see stars every day walking down the street; it's normal.
If someone stops me in the street, they might not want to say something to my face - maybe something about 'Emmerdale' or something personal towards me, good or bad. But on Twitter they are hiding behind their keyboard.
God doesn't seem to talk to people like he used to. Who's he talking to now? I don't know. Then I'm walking down the street in Manhattan one day, and I realize maybe it's those guys you see walking down the street talking to themselves. You know, those guys that are like, 'I can't! No, I can't!' Maybe the other side of that conversation is God going, 'You're the new leader.' 'No I can't!' They're not crazy - they're reluctant prophets.
I think that my regrets mostly have to do with my relationship with my ex-girlfriend. Every once in a while, you get those flashback memories of conversations you had with your exes, and you just, like, wince when you're walking down the street. Something occurs to you, 'Oh, no, I said that.'
Before 'Deadpool,' if I was walking on the street, some people would recognize for some project, and another person for a different project. But now, every time I'm walking down the street, people recognize me as the actor from 'Deadpool.'
My friend is an idiot. He smokes three packs of cigarettes a day. He won't quit, either. His big excuse is, "Why should I quit smoking? Anything could kill me. I could be walking down the street one day and i could be hit by a bus." Maybe if you quit smoking you could cross the street a hell of a lot faster.
During the course of the year a number of ideas just come up automatically. I could be walking down the street. Or shaving. An idea will hit me and I'll write it down. Then, when I'm ready to write, I check my little matchbooks and napkins and find that it is good or it's pretty terrible. There are other times when I don't have any ideas and I'll go into a room and close the door and I sit and sweat it out for a day or a month and eventually I come up with [something].
When people call something a 'fail,' it's because you tried to accomplish something but didn't make it. If you're just walking down the street and something bad just happens to you, that's not really a fail on your part. You might call that situation a fail.
Part of what I do and what I want to do is I want to bring art into the everyday life. If you can take ordinary just walking in the street and you're confronted by something, that might change your day - it might inspire you.
I'm still learning a lot as a songwriter. I try to write down and make a note of ideas that I cross paths with on a day-to-day basis, whether it be a conversation or something I hear on the radio, seeing a movie, or just thoughts in my head as I'm walking down the street.
So there are ups and downs, but the best is just the looks on people's faces when they meet me for the first time, because I am a real-life, walking, talking giant. It's not every day you see someone like me walking down the street.
There is something fresh and crisp about the first hours of a Caribbean day, a happy anticipation that something is about to happen, maybe just up the street or around the next corner.
Motivating yourself, I think having big strong legs, that's pretty cool. Having a big VMOs [the teardrop-shaped muscle above your knee] is always nice. But, the thing is, when you see guys who are clearly gym junkies who only do bicep curls all day every day, and you see them walking down the street ...'Mate, what about the legs?'.
I think you can learn a lot about a guy from the way that he talks to you and the way that he compliments you. If he's complimenting you when you're just walking down the street and it's something completely pure and of the moment, then that's something you can take to heart.
You might see a female, and she triggers something, or you see an old lady walking down the street, she triggers something. You go to Africa, you see the vibes, that triggers something.
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