A Quote by Ben Fogle
We as humans, we're not solitary people, we're like dogs, we like to live in packs and know about one another. And, if anything, fame is people trying to attain community on a mass scale, because when you become famous wherever you go people know about what you've done and what you're about to do.
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When I was about to be famous, I feared it on a few levels. I feared it because I didn't want people to lump me in with those people who'd do anything to be famous. I didn't like the word 'celebrity.' I feared intrusion, you know? Make me famous, and suddenly you can go through my trash bins.
Because I came into fame so early on, I've never done that. I don't investigate through the Internet about people who I know in the same way that I think most people do because I know what that's like to be on the other end of it. I think it gave me a certain kind of discipline, or empathy.
We all like going to the dark side of things; we all like dipping into worlds that we don't know anything about, or hopefully don't know anything about. I think 'Banshee' gives people a chance to do that pretty safely because we all know there's a solid buffer between the show and reality.
One thing I do like about L.A. is the fact that you can be - whether you're famous or it's just a matter of, like, seeing people you know all the time on the street, you can be pretty anonymous and walk around and, like, not run into people, because it's such a big city and because a lot of people drive.
Who are we talking about? We're talking about the people that are trying to criminalize Donald Trump. We're talking about the people that are trying to impeach him. We're talking about people who are trying to via innuendo and leak and media assassination, we're dealing with people that are trying to destroy Donald Trump and his press secretary just signaled that they are serious about reaching out to these people to try to get certain things done, legislatively, like infrastructure or tax reform.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
A lot of people are like, 'So you want to be famous.' And I'm like, 'No, I want to be good at my craft. I don't care about fame, I don't care if I even ever make it. As long as people know what I am as an actress in this business, I'm set for my career right now.
A lot of people are like, 'So you want to be famous.' And I'm like, 'No, I want to be good at my craft. I don't care about fame, I don't care if I even ever make it. As long as people know what I am as an actress in this business, I'm set for my career right now.'
If you're not mechanically in the community with people from the community trying to talk about our party, talk about school choice, talk about SBA loans for business owners - if someone's not there, nothing is going to change. You also need to have the tone ... people believe obviously you like them. If people don't think you like them, then they're not going to vote for you.
Another problem about writing about politics in the "age of globalization" is that so much of the violence in the form of war and also in the forms of institutional violence - sweatshops, child labor, victimization of people economically - happens elsewhere and out of sight. And when we do know about it and need to witness it, it's always mediated by images of one kind or another, so you're kind of stuck trying to write about what it's like trying to be you living your life thinking about and experiencing this stuff in that way.
I like people who, you know, as you go along in life, you know, a thing happens, and people become a seeker. They look for something to give them the path to their full potential. I like them to know about transcendental mediation, but they've got to make up their own mind to take it and use it.
It's just if one person says anything it becomes click bait and then they start talking about the comedy climate which is hilarious, so no. You know what it is? People are adults and they know they're at a comedy show but every once in a while somebody isn't an adult and then for some reason, you know, it's lazy reporting. They're trying to create this thing that isn't happening. It's not like people go in there and are just sitting with laptops open getting ready to blog about every stupid joke.
Anyway, solitary people interest me. There are so many different ways of being solitary.' 'I know just what you mean,' said X. 'I know exactly what you're going to say. Different kinds of solitude. Enforced solitude and voluntary solitude.' 'Quite,' said Viktoria. 'There's no need to go into it further. But when people understand one another without speaking, it can often leave them with very little to talk about, don't you think?
I'm not really sure why so much people still listen us. I think we live in an era when people get attached to stuff, and it means something. Then I think a lot of people heard about it over the years - like somebody's older brother might tell them, you know, because we're from his era, and he might be like, "You need to listen to this; this is what it's all about," you know what I mean? I don't know, man, it's hard to say. But it makes us feel special.
I think people will lie to pollsters. I think the truth of Obama and what people think of Obama is when you ask people about his agenda and then nobody likes anything. They don't like Obamacare. They don't like the Iran policy. They don't like taxes. They don't like anything he's done. But you put him in the question and people get scared to say anything negative because of the racial component.
I really don't like to tweet or Instagram anything about the people in my life just because I feel like I signed up for this, and I don't even know what this is yet. I do know that it could go anywhere, and I really don't want to sign other people in my life up for it without their permission or consent.
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