A Quote by Ben Fogle

I wouldn't want to go into mainstream, Downing Street politics, though - it's just too cut-throat. I've got quite thin skin. — © Ben Fogle
I wouldn't want to go into mainstream, Downing Street politics, though - it's just too cut-throat. I've got quite thin skin.
I had this funny family. At one end, they were breeding dogs in south-east London - for greyhound racing - and at the other, my uncle was living in Downing Street. And I would actually go to Downing Street, which didn't strike me as funny. I'd get on the number 15 bus.
It is one of the little known facts about modern Scottish politics that it is not quite as cut-throat as people think it is.
In church your grandsire cut his throat; to do the job too long he tarried: he should have had my hearty vote to cut his throat before he married.
It really wasn't fun any more, everything was too business-oriented. I just remember the old days when the band was really tight together, playing Eagle poker and just having a really good time while we were doing it. Towards the end, it just got too cut-throat.
Perseverance. I got cut twice. I got cut in Charlotte. I didn't have to go to Atlanta to audition. I could have said, "I'm not cut out for this." But I said, "I think I'm better than that, I can go try again." So I went to Atlanta and I made it through. Then I got cut the first time around. I could have told them I didn't want to come back for the Wild Card show but I did and look how far I got.
At school I got harassed so badly for being too tall, too thin, too pale - too everything that has gotten me where I am now, which is quite ironic.
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
I got a message from Downing Street that my picture's hanging in the White House. Which is weird.
An empty taxi drew up outside 10 Downing Street and Clement Attlee got out of it.
I watch the people I hang around, 'cause if you hangin' with people who still got their foot in the street, that really involves you as well. It's definitely all about the company I keep. If you don't want anything to do with the streets or whatever, but you got everybody around you in the street, you just as much a part of it as they are. A lot of times it's very hard; you gotta straight cut off people, you know what I mean? If it ain't good for you, you just gotta turn your back to it.
I never wanted to grow a thicker skin; I felt a real sense of pride in my thin skin, and in a weird way, I still do, because it's my thin skin that allows me to empathize with other people. It's the thing that allows me to create vulnerable art. It's the thing that allows me to create other feelings and make songs that actually grab people and touch people. I feel like I've spent my life fighting that thicker skin because I don't want to become an embittered asshole.
I think I fall into a lot of cracks in terms of I'm too something. I'm too this, I'm too that. And my music has never really had a home. I've been this floating alternative. I'm too mainstream for alternative. I'm too alternative for mainstream. And I'm just kind of wandering.
Damn it, if just 5% of people got motivated in some direction, and it doesn't necessarily have to be what I believe in, but if they just got motivated and stopped getting their political ideologies from the mainstream media, they would go out and figure out what they want.
I must say, I am thrilled with my fan base. For some reason some of them are quite young, so they are quite frightened. I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them. Mine are not like that. Mine tend to go: 'Argh,' and look horrified. They shake and take a picture from a really long way away. I do feel I've got quite good, respectful ones though.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
My eyes are too big, my nose is too flat, my ears stick out, my mouth is too big and my face is too small... my body is thin as a clarinet and my ankles are so skinny that I wear two pairs of bobby socks because I don't want people to see how thin they are.
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