A Quote by Ben Fogle

I had a short run as the presenter of 'Cash in the Attic'. It's a very popular show but didn't really suit me. — © Ben Fogle
I had a short run as the presenter of 'Cash in the Attic'. It's a very popular show but didn't really suit me.
I've never considered myself a presenter or never really had the desire to do that, but in the U.S., what that entails is completely different to what it is on a panel show. A panel show is just a lot more fun.
Cash is the lifeblood of your business. There are very few things in business that will kill you, but running our of cash is one of those things. You can recover from almost any other mistake, but if you run out of cash you're dead.
The show became popular as aspecialthing became popular. And Sasquatch, the guy who runs that site, started coming to every show and reviewing it. And when people start talking about the reviews from the stage. That to me is really self indulgent and we tried to put a caper on that.
I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.
I always had short hair, and I hated my short hair. I was always mistaken for a boy, but my mom wouldn't let me change my hair because she was always chasing me around with a hairbrush, and it was always tangled, so she just would cut it off, and she's right: short hair did suit me.
My grandfather lived across the garden from us, and in his attic he had a lot of radios, appliances and inventions that he had made over 50 years, such as a keyboard called a clavioline, which can be heard on some Beatles songs - it was popular in the 60s. So we had all that at home.
I love to sit and watch a bit of 'Cash in the Attic.'
I'm not freakishly short. I had, on my show, used shortness as a joke subject; it didn't really bother me.
Our role as producers is mainly limited to borrowing money from friends when we run short of cash.
I remember I did a character in 'Robocop' years ago - Commander Cash. I wore this really ridiculous outfit, and my face was covered. You couldn't recognize me in the suit; you could only hear my voice.
I wasn't just the madwoman in the attic--I was the attic itself. The past was all over me, all under me, all inside me.
What really amazed me was when I sent a suit out for cleaning, forgetting that $700 was in the pocket. They sent the suit back to me. If that happened in New York, both money and suit would be gone.
Popular, You're gonna be Popular! I'll teach you the proper ploys when you talk to boys! Little ways to flirt and flounce! I'll show you what shoes to wear, how to fix your hair, everything that really counts, to be POPULAR!!
The most surprising thing to me is what an incredibly intense effort it's been to create a world from the ground up. I had run a show that had already existed and had been created by the show-runner, Meredith [Stiehm]. It's a very different experience to come in at ground zero and meet people and assemble the cast and crew. As a group and as a family, we're creating this world.
There are so many sci-fi fans and it's such a big business now. So many people love sci-fi, and they're so loyal. I would be lying if I said that the fact that I had been on a very popular sci-fi show and had some recognition in that world didn't help me get the job on another sci-fi show.
I lost my innocence with Johnny Cash. I used to watch the 'Johnny Cash Show' on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock n' roll. I watched him, and from that point I saw that music could be an evil thing - a beautiful, evil thing.
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