A Quote by Ben Folds
You can't really control how people hear stuff. It's hard to remember that. I have to let go of it.
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Sometimes people hear that you help somebody or you said something that really resonated with them that they really needed to hear. Sometimes people get motivated to go and do stuff. That makes me feel really good because I feel like I'm affecting people in a good way.
You'll go into a fancy hotel and you'll hear this track where someone has sampled 30 seconds of a really good song. Your ear picks it up and you get excited but then it goes into some monotone thing. The Buddha Bar stuff annoys me. I don't need to be on a beach and hear this stuff through little speakers, but people think it creates a "cool vibe".
To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
It might be odd for people to hear this, but honestly, you know, when you're on stage, I don't think people realize how grueling eight shows a week is. And as far as jobs go, being a Broadway actor, it's hard. It's fun, but it's hard.
You control your own destiny. You go out there and work hard and show people that you come to work and earn your respect. All you can control is how you go out there and perform every day.
There's only certain things you can control. I know how hard I work, I know how I take care of myself, and those are the two things I can control. As far as injuries and wear and tear and stuff like that, it's going to happen.
Guys don't really don't wanna hear if it's really smart, and women feel uncomfortable if you reveal stuff they're going to have to remember they did themselves.
You look back at a time you idealize now and you only remember the good stuff. You tell the stories about the hard stuff and just laugh about it now. You don't remember how difficult it was to be stranded in Austin after driving 52 hours from Seattle in a rainstorm and having nowhere to stay for five hours. You remember that stuff and laugh about it now. You don't feel it the way you did back then when you were so scared and nervous and tired and hungry. We always idealize the past because we don't feel the painful stuff the way we used to.
I've got my own TV stuff on the go, and it's all a bit oddball - it's one-offs, and I can do what, when, and how I want it, really. I don't have any scripts or people telling me to do stuff twice.
Here's the secret you should remember whenever you hear someone lamenting how tough it is to get ahead in the postindustrial global economy: Few people work nearly as hard as they could.
People who describe culture and values and how people behave - I've heard people refer to it as 'the soft stuff'-they often underestimate its importance. The soft stuff actually is the hard stuff.
Whenever I hear people discussing birth control, I always remember that I was fifth.
When people hear my music, they ain't really hearing about no shiny stuff, the glamorous life. They're going to hear that gritty, slum.
I really get inspired by songs. Like, if I hear a thug 'Want to kill ya' song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.
I really get inspired by songs. Like, if I hear a thug "Want to kill ya" song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.
I've learned to go out and focus on what I can control, like how hard I work and my attitude and whether I'm happy or not. I've really tried to focus on those things.
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