A Quote by Ben Folds
I could probably live in Bali the rest of my life and completely live in the sticks and have a f - king moped and make a record every couple of years and not step in public and break even like I do anyway. That's really tempting.
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Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
Every day, I am reminded that our life's journey is really about the people who touch us. When you die, it does not mean you lose to cancer. You beat cancer by how you live, why you live, and in the manner in which you live. So live. Live! Fight like hell. And when you get too tired to fight, then lay down and rest and let somebody else fight for you.
In this business, things go in waves, and I might make a record every three years. That's enough for me; that satisfies me. And it satisfies the so-called public, because they don't really need a record every year. They don't even want one.
Things go in waves, and I might make a record every three years. That's enough for me, that satisfies me. And it satisfies the so-called public, because they don't really need a record every year. They don't even want one. There's other stuff out there for them to listen to.
I feel like the live record thing is something that I've been getting used to as the years go by and with this being my second one, I'm continuing to learn what works and what doesn't work. A live record is an example of that authenticity and that realness that you find in imperfection and you can hear that in this record.
The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
There are people I would like to work with. It's a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I can't really circulate. So I tend to stick to my own thing.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
Live your passion. What does that mean, anyway? It means that when you get up for work every morning, every single morning, you are pumped because you get to talk about or work with or do the thing that interests you the most in the world. You don’t live for vacations because you don’t need a break from what you’re doing—working, playing, and relaxing are one and the same. You don’t even pay attention to how many hours you’re working because to you, it’s not really work. You’re making money, but you’d do whatever it is you’re doing for free.
There are people I would like to work with. Its a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I cant really circulate. So I tend to stick to my own thing.
My career is based on the slow build of an audience based on putting on a good show live and putting out a record every couple of years. I was already doing really well in terms of my goals, to keep my fans coming back.
I believed that if I was to call myself a writer, I should live on writing. If I could not live on it, even simply, I should destroy every scrap, every trace, every notebook and live some other way.
I figured out that I can't forget. I can't really forgive. But I can live. Live with it. Like you live with a scar or a limp or whatever. You always know it's there. It reminds you never to let yourself do anything so stupid and horrible and wrong again. I step out of my rut, step again, and keep stepping. (277)
A woman can walk miles without making one single step forward. As a child born in a harem, I instinctively knew that to live is to open closed doors. To live is to look outside. To live is to step out. Life is trespassing.
As an elected official, I live a very public life. That elected figures live under something of a microscope is perhaps a necessary condition for an informed public, and yet, even as a public official, I maintain very personal documents that are not intended for public view.
It was definitely hard when I first started, and by no means do I consider my live show to be where I want it to be; it will develop step by step for the rest of my life.
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