A Quote by Ben Fountain

It took me 10 years to write a story that pleased me - that I could look at after it was published and not cringe. — © Ben Fountain
It took me 10 years to write a story that pleased me - that I could look at after it was published and not cringe.
'The Immigrant Story,' which took me about twenty-five years to write, was a very simple story, but I couldn't think of how to tell it. Then twenty years after I started it, I found this one page and realized it was going to be the story. That's the only way you get it sometimes.
One thing I learned is that the park by the river in a recent story, 'Getting Closer,' is the same park by the river that appears for a moment near the end of 'The Eighth Voyage of Sinbad,' a story first published 23 years earlier. This echo at first irritated me, then pleased me deeply.
It took me seven years of writing before I published my first story. And then, the publications trickled in over the next five years.
It took me 10 years to prove myself but now my day has come. People take me seriously, write roles for me and consider me for 'hero' roles, which I deserve.
Goon Squad' took about three years to write and that's the short end. My second novel, 'Look at Me,' took six years.
'Goon Squad' took about three years to write and that's the short end. My second novel, 'Look at Me,' took six years.
I have this desire to just while away weeks, months and years. It took me two years to make this record but that was with me trying to condense my process and not disappear down the rabbit hole with all the cool things I've collected. I could take 10 years and not explore everything I want to with these instruments.
I was German-speaking, and I arrived 10 years old to Croatia, and really wasn't speaking a lot at home with my parents in Croatian, so it was really difficult to write in Croatian. It took me two years after I went back to learn everything again in Croatian.
I wrote Her First American and I always say it took me eighteen years. It took me that long was because after about five years I stopped and wrote Lucinella. I got stuck; it was too hard to write. Lucinella felt like a lark. I wanted to write about the literary circle because it amused me, and I allowed myself to do what I wanted to do. It's just one of the things I'm allowed to do if I feel like it.
It took me 10 years to realize that I don't know 'em, 10 years to realize that it's possible to learn them, then another 10 years to learn how to do things.
I always say it took me 10 minutes to write 'Cars,' but if I am honest it could have been even less than that - and it has been a really successful song over the years. It is still massively used, in advertising, in films, and people do cover versions of it a lot.
I published so many books, which, for years, didn't get published here in America, at all - and which barely got any attention in England. So it wasn't going to take much to make me feel suddenly famous. So - yeah - after 20 years, I'm an overnight success.
In my first few years as an actor, I took one terrible TV job after another. But even as I laughed off my awful roles and made fun of myself to friends, my work made me cringe - I dreaded anyone's seeing it. I was crushed that I wasn't doing anything I was proud of.
At 18, my first short story was published - I was paid a penny a word by a science fiction magazine. I continued to write, and five years later I published my first novel, 'Sweetwater.'
With 'The Forty Rules of Love,' I wanted to write a love story. But I wanted a love story with a spiritual dimension. For me, that took me to Rumi. And from Rumi, I went to Shams of Tabriz. That's how the story took shape.
I've had a wonderful life. What people are going to write about me 10 years after I'm dead - who cares?
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