A Quote by Ben Fountain

Somewhere along the way America became a giant mall with a country attached. — © Ben Fountain
Somewhere along the way America became a giant mall with a country attached.
Somewhere along the way to free-market capitalism, the United States became the most wasteful society on the planet.
The mall is good for hearing new music because you hear music everywhere. I like to walk around the mall and hear what the kids are listening to, or what's the feel of Middle America, cause that's what the mall is.
If you look at America now as a giant ship, before we can turn it around and go the other way, we've got to stop. This has been our problem all along. We haven't really advanced anything we believe.
People want to dream up this big, giant goal without putting the stepping stones along the way, and for me, that's what gets you to that giant goal.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called "A Banquet for the Moon." It was a weird play.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
The Mall Of America, outside Minneapolis, is just a mall. Yeah, it's big. So, like, instead of your typical 12 Starbucks, there are 30.
Everyone has a story, and the story changes, and the more I can root into the truth of things - it's so hard - I don't think anyone ever really puts it all together. But somewhere along the way it all became fused.
In America, we all come from somewhere else, and we carry along some dream myth of home: a notion that something - our point of origin, our roots, the home country - is out there.
Leaving your country at a tender age really rearranges the way you perceive the world. So I feel marginally attached to many places rather than deeply attached to any one place.
Transcendence or detachment, leaving the body, pure love, lack of jealousy-that's the vision we are given in our culture, generally, when we think of the highest thing. . . . Another way to look at it is that the aim of the person is not to be detached, but to be more attached-to be attached to working; to be attached to making chairs or something that helps everyone; to be attached to beauty; to be attached to music.
If I lived in China or even Russia, or any totalitarian country, Maybe I could understand some of these illegal injunctions. ... But somewhere I read of the freedom of assembly. Somewhere I read of the freedom of speech. Somewhere I read of the freedom of the press. Somewhere I read that the greatness of America is the right to protest for right.
Somewhere along the line, a concert became a variety show. It was no longer enough for four dudes to play together in front of some guitar amps. Costume changes, an army of dancers, and Broadway theatrics suddenly became standard for a 'concert.'
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall in Washington so American tourists could walk through America, and in their minds everything on the mall would be American
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall in Washington so American tourists could walk through America, and in their minds everything on the mall would be American.
We still are America though. We're still a country that is a country of social mobility. We're still a country of immigrants. We're still a country with common ancestors. And reviving the civics of America and the idea that we're going to be united, at least not right now, but in some common future, and talking in that hopeful way that Martin Luther King did, that Abraham Lincoln did, seems to me that's the way.
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