A Quote by Ben Gibbard

I think there's something that feels so good about a 1-4-5 chord progression. It's a very standard chord progression, and it just feels good to the ears. — © Ben Gibbard
I think there's something that feels so good about a 1-4-5 chord progression. It's a very standard chord progression, and it just feels good to the ears.
I've never used the word jamming. It's a matter of finding a great song and learning the chords, then slightly altering the vocal melody, and matching a classic chord progression with another chord progression.
Chord progression is progression of emotions; storytelling - taking one person from one mood to the next. We are doing the same thing within a DJ set.
Then I began to play. Variations on a G major chord, the most wonderful chord known to mankind, infinitely happy. I could live inside a G major chord, with Grace, if she was willing. Everything uncomplicated and good about me could be summed up by that chord.
It's just a real thrill when you're showing somebody a chord progression or something, and you see that light come on, you know. You see 'em 'get it.'
The melodies are always the most important part to me. I am pulled more to the groove than the chord progression. After you find the groove, you find the most simple chord progressions and then sit inside that groove.
It turns out kids today still learn that four-chord progression when they're just picking up the guitar.
Playing inside the changes means playing enough of the important notes of the chord progression at important times. A good solo might be very free, but every once in a while it loops or hooks into an essential note that describes the harmonic change.
If there's something I really like or a chord progression, I write a note in my Blackberry, and maybe a year later, I'll revisit it and ask, 'What did I like about that?' I really don't try to think too much about it. I like to be fresh.
There's so many ways you can play one chord progression that the repetition isn't ever exactly the same.
The song could start with a riff that I base the song around. Or a chord progression or a melody I have, I just write a story about it. Lyric-wise, it's cool to have someone else's input too.
Any project that I put out, I never want it to sound like the first one. It can have some vibes or stuff that matches, but I want it to be growth, progression, and you can't be comfortable when you're growing. If it feels good and it sounds good, it's good.
Using open strings is a great way to add texture and atmosphere to any chord progression.
The first thing that inspires any song is a chord progression. When I have one I really like, I get into the lyrics even more.
As the chord changes go by, I don't so much think about a static chord voicing changing. I just see the notes on the neck change.
When I write a song, that process is sort of entwined with a lyric or a chord progression that suits the vibe, and that'll work off each other.
If I don't already know a song's chord progression, I'll stop writing and try to figure it out. I can occasionally listen to unstructured, amelodic ambient music, but I prefer no music. I don't need silence - I can write just about anywhere - but music is a major distraction.
This site uses cookies to ensure you get the best experience. More info...
Got it!