A Quote by Ben Gibbard
I remember hoping there'd be 10 people at a show in 1998 when there was an incredible write-up in the local weekly. I don't want to go back to that period of being obscure and having nobody know who I am, let alone have to struggle to get people to come to the show.
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It's very difficult for me to travel now without music just because I'm so spoiled. It's a huge luxury to go and play your music for all these people around the world and having come up to you in a special way - they really want to show your their city, or really want to show you where they are from. If you are just traveling, you don't get that same welcome.
If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
The show isn't about screens, and we don't have any video content or lasers or things blowing up. I want people to come to our show to listen. I want the show to be the music.
I love being in an arena that has like 10,000 people and huge crowds. I want to do a show at like the Viper room so badly. Like go up on stage and thrash myself around, go jump into the crowd. You can effing swear, get drunk on stage and do whatever you want basically.
Doing this web show - people underestimate what it takes to do a web show successfully. They underestimate the amount of work that you have to do to get it to your audience after it's made. I think you have to work so much harder, especially if you don't have a huge budget. You have to know how to get your audience engaged, because the Internet is so distracting, and there are so many choices. People, even if they love your show, will forget to go back for episode four, because you know, people are busy.
CBS garners a predominately older white audience, and by having a show like 'Superior Donuts' on their weekly programming, it distorts what people are used to seeing in a positive way. It's a show I think was necessary.
I liked that you have to sometimes get into a situation that might not be a comfortable one - so, overcome your fear and good things will happen - if you want someone to know something, or you have to really take charge and do it yourself and go for it. With the Boxtrolls, they want people to know they're not mean guys, but they're too scared to show anyone. They have to eventually work up the courage to show that and gain the confidence.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
I decided to host my show 'Kiss and Cry' hoping that people actually want to participate and feel more familiar with figure skating. When I see these people enjoying themselves, it's a great joy to me. Although some of them get hurt once in a while, they enjoy it a lot, and I hope the show makes the viewers want to give it a try.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'
A very common thing these days is people show up and they ask us in the band to sign with a Sharpie right on their skin and they go get it tattooed the next day. Then they'll show up at another show and they'll have their tattoo.
The idea of being on a show where each season stands alone, and you can come back the next year and show an entirely different aspect of your personality or your talent or your anything is an enormous gift that you rarely get in television.
I sing my life. It's like I'm having group therapy 350 days a year, and the people who come to the show get that, and they're there for that - whether it's to be lifted up, or to be lifted out, or just entertained or inspired, or to feel not so alone.
I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.
The truth is, people go to shows because they want a show. They want showbiz. When people talk about a show they saw it's not because they heard a song, it's because they were excited and geared up about the show.
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