A Quote by Ben Gibbard
When we moved to Seattle, everybody kind of disappeared into different corners of the city and it was a very difficult time for the band.
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I miss Seattle a lot. It was my first city that I lived in on my own. It was a great city to play for. It was unfortunate for the fans what happened, but it’s time to move on. I’m sure they’ve moved on. But in the back of my mind, I still have a thing for Seattle and always am going to remember what they’ve done for me.
Only the four corners of the background remained. It was terribly difficult to fix my eyes on all of them at the same time. My experience was that the most difficult thing of all in art is painting in all four corners at the same time.
Now, it's high time for all those that have an influence on the parties with the conflict to understand that it is in the interest of everybody to put an end to this conflict. But this kind of persuasion, this kind of intense pressure, I believe it's my duty to do, even if I recognize that the contradictions and the different perceptions of interest that exist are making it very difficult.
Seattle is not an overly friendly city. It is a civil city, but not altogether friendly. People from outside mistake the civility for friendliness. Seattle is full of people who have their own lives to live. They won't waste their time being friendly. But they are civil.
It's kind of dumb; everybody should be able to listen to the kind of music they want and just because you're a fan of a band for a longer period of time doesn't mean you have a greater stake of claim to the band or the music.
By the end of the 1980s, Seattle had taken on the dangerous lustre of a promised city. The rumour had gone out that if you had failed in Detroit you might yet succeed in Seattle - and that if you'd succeeded in Seoul, you could succeed even better in Seattle... Seattle was the coming place. So I joined the line of hopefuls.
Success is very intoxicating. It is very difficult to handle all the fame and adulation. It corrupts you. You start to believe that everybody around you is in awe of you, that everybody wants you, and that everybody is thinking of you all the time.
I love downtown Seattle. It's a city that has all of the outdoor activities and is still a very cosmopolitan city.
I started doing drag in Seattle because I started doing my column before I moved here, and then moved here and wanted to be able to go out and do things as Dan Savage without being recognized the next day, because the column was just in Seattle and it was kind of a sensation and I was beating people up. I was really worried and I didn't want to beat somebody up in a column and have that person know what I look like when I didn't know what they looked like.
When you look at a city, you know, it looks so unique. You feel this kind of uniqueness, you know, and especially if you go from a big city to a small city or if you go from one country to another. Cities look very different, often. They even feel very different. You know, and they are, of course. They certainly are.
We moved around a ton when I was a kid. I think we lived in 9 different houses before I was 15 - we moved from the city back to the suburbs; different suburbs, different houses, all over the place.
There's pride on Bourbon Street for the musicians that work there. They take it very seriously. I've never worked there or played in band there, but it's a part of the city. They play for the tourists and represent a whole different side of the culture of our city.
I played with a few local bands in the West Country, where I grew up, but when I was 18, I moved to London, which at that time was probably the most exciting musical city in the world. I was supposed to be studying dentistry, but all the time I was looking for a band to join.
When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.
I used to have a very difficult childhood because I was always the tallest girl in school, and everybody was staring at me and saying, 'You are very different.' Now, different is good.
I used to get very nervous before a concert. It's okay when you are in a band. You can kind of disappear. But when it's just you... yes, that was difficult. I would not say it is easy now. But when you do it for a long time, you do learn to cope.
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