A Quote by Ben Hardy
I remember watching 'EastEnders' as a kid with my mum, and even my dad would be gripped by the odd episode. So to think I would be part of the show was a strange feeling at first.
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I grew up watching Transformers. I think it was one of the first cartoons that I started watching as a kid. It was awesome. I would set my clock every morning before I went to school. It was a big part of my childhood.
I remember watching 'Colombo' a lot with my dad. That was one of the first detective shows I remember watching. And I remember my dad turning to me - my dad loves to turn to me and explain why things are funny. He used to do that with 'Seinfeld' all the time. He did it with 'Colombo', too, set the scene.
I wanted to be an actress. I think it had a lot to do with being a kid and watching how every time my dad would stand up to talk people would applaud... that was pretty cool.
If I played badly as a kid, my dad would tell me, and my mum would say, 'You were brilliant today'. It's nice to have both: when I need a bit of confidence, I'll see her, and if I need to hear it straight, I'll see my dad.
My love of music comes from as long as I remember. I begged my mum to learn piano for a year when I was 4; she wanted to make sure I was serious, and I wanted to be Chuck Berry when I grew up! We were a very musical family; my mum would play guitar, and her, my dad and aunt would sing and harmonize!
I'm ashamed to say this, but I watched every episode of 'Starsky and Hutch' as a kid. I loved that show, but now I think it's stupid - they'd have a car chase for no reason, then Paul Michael Glaser would shoot the car and it would blow up.
I think if I produced a show I would not want to be part of that production. That's not... I'm not... I mean, I couldn't even sell Boy Scout chocolate bars when I was a kid!
I think, with any kind of Netflix show, it's quite nice at the end of - just even watching the end of Episode 1, you have that kind of moment to yourself where you're like, 'Okay, I need to see the next episode here.'
I was in Nepal and I had watched Oprah Winfrey's show. I had no idea, as a kid in Nepal, who she was, but I remember watching an episode of hers about living your dreams.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I remember when I was a kid my first real confrontation with space travel was when the Challenger exploded and I remember how traumatic that was for me, because I remember watching that on the news and all the children in our class were watching.
I remember when I was much younger maybe about five, mum, dad, David and I would all race each other one lap of the pool and I remember coming last every time.
Not for the first time, I wonder what it would feel like that, to be so beautiful that you don't even realize people are watching you, to be so confident that you don't even have to worry about being nervous or feeling self-conscious. I've spent what seems like my whole life trying to pretend I'm that way. What would it be like to have it just come naturally?
I remember watching the first Million Man March as a kid, and I always knew that if I got a chance to go to one, I would go.
Even the most loyal viewers of a show would only watch one out of three episodes. As someone who made television, I always found that hard to believe because you want to believe people who love your show are watching every episode, but statistically it was true that people who considered themselves the most loyal viewers were only watching one out of three.
When I'm writing a theme song for a TV show I always think, "What would be Pavlovian where a kid would be in the kitchen, or an adult would be in the kitchen, and they hear the theme song come on and it would draw them back to the other room so that they would watch the show?"
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