A Quote by Ben Harney
I reached a point where - I have a real heart and concern for families and for youth, and the more I became involved in working through a ministry, the more I realized how powerful the entertainment industry was and how irresponsible it was.
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Trump is a businessman, but he is such a creature of the entertainment world. It feels that the entertainment industry is more entwined with politics than ever before.
I just think he is who he is. You can't blame him for being who he is. He's always been like that. He's our fault - that's how I see it. We let him come to where he is. I'm not so interested in blaming him; that's being done enough by others. I'm more interested in: How did this happen?
I'm consistently asked how I keep a foot in two contrasting worlds - one in the entertainment industry, predicated on wealth and indulgence, and the other in humanitarian work. To me, it's less of a question of how can you do this, and more a question of how can you not?
And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit.
More than anything, Earth, Wind and Fire forced me to become more aligned with the truth. After the experience of working in that band, it became clear how fleeting and deceptive fame can be. I realized that there is no better form or reference than the word of God, and it was my responsibility to be accountable for my faith.
Luckily for me, most of my work is through a brand or client who approaches my agent. Before I began modeling, I never realized how many barriers there were for people with disabilities within the industry. I didn't realize how much prejudice and ignorance existed. That made me even more determined to break down the barriers and to wake up the industry to the fact that beauty shows up in all different shapes, sizes and abilities.
I really started getting more politically involved after the 2016 election, watching how partisan and how angry our political conversations became.
That's how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers. That's how I became the boy who never understood how anything worked. That's how I became the boy who wouldn't save a friend. That's how I became the boy who couldn't love the girl.
Games already pretty much have reached the point of photo-realism. Working on more intense graphics is not the only path we can take anymore. Simply relying on the sheer horsepower of the machine will not bring the industry a bright future.
How much more money do we have to waste, how many more families have to be destroyed, how many more people have to be killed before you summon the courage to tell the truth to the American people?
The government is already involved from an entertainment standpoint. I mean, they regulate a large part of our entertainment. What we're trying to do as an industry is be proactive and drive it much more positively, much more effectively, than the government can, and that's what the ESA is all about[....]We think we're doing a pretty effective job, and certainly from an Nintendo perspective, we think the ESA is the way to go.
I realized how little I knew about my own country. I had grown up in the suburbs and, after college, I moved out of the country, so I didn't really know the place well. When I started following soldiers and their families back home, it provoked a lot of the questions about who we are as a nation, questions I realized couldn't be explored through the more limited framework of looking at the military at war and at home.
More and more families today are sending both parents into the workforce - t's become the norm, it's what we now expect. The overwhelming majority of us do it because we think it will make our families more secure. But that's not how things have worked out.
While visiting places in the South with my heart really open, I realized how important people in certain geographical spots were to me, what they symbolize, how I'm still connected to them and how much they are a part of my ancestry, both musical and real.
She needed Cholly's sins desperately. The lower he sank, the wilder and more irresponsible he became, the more splendid she and her task became. In the name of Jesus.
I can empathize with women who feel that [sexism]. I personally haven't experienced it, and I'm grateful for that. I feel very appreciated on the show I'm on, but I do empathize. My concern is less the entertainment industry specifically, and more the general problem that women don't get paid as much as men in any industry.
I think I'm fascinated with history and - just in general. And I'm always interested in how did - how did this come to be? Why is this the way it is? And even singing classical voice, I quickly became more and more interested with early music, baroque voice. And that became an obsession to me - just figuring out how - who are the ancestors of whatever it is.
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